- |
A la Place du Coeur (1998) |
Click here to see the review. |
Elisabeth Merriman |
Tomato |
A.I. Artificial Intelligence (2001) |
"At least it restates HAL's case with commendable vehemence and a kaleidoscopic ingenuity." |
Philip Strick |
Tomato |
Abouna (2004) |
"The film never feels derivative or inauthentic." |
|
Splat |
About Schmidt (2002) |
"Ultimately this is a frustrating patchwork: an uneasy marriage of Louis Begley's source novel (About Schmidt) and an old Payne screenplay." |
Xan Brooks |
- |
The Acid House (1998) |
Click here to see the review. |
Xan Brooks |
- |
The Adventures Of Elmo In Grouchland (1999) |
Click here to see the review. |
Heather Puttock |
- |
An Affair of Love (2000) |
Click here to see the review. |
Ginette Vincendeau |
- |
Affliction (1997) |
Click here to see the review. |
Kevin Jackson |
- |
After Life (1998) |
Click here to see the review. |
Tony Rayns |
- |
Agnes Browne (1999) |
Click here to see the review. |
Kevin Maher |
- |
The Alarmist (1997) |
Click here to see the review. |
Kieron Corless |
Tomato |
Alice et Martin (1998) |
"With his thirteenth feature, André Téchiné conducts a masterly dissection of male hysteria." |
Chris Darke |
Tomato |
All About My Mother (1999) |
"Almodóvar's talent has always been acknowledged as unique, but All about My Mother demonstrates how great it is as well." |
José Arroyo |
- |
All the Real Girls (2003) |
Click here to see the review. |
|
Splat |
Almost Famous (2000) |
"These characters have none of the passion and incipient mania that made Jerry Maguire -- or John Cusack's Lloyd Dobler in Crowe's debut Say Anything -- so engaging." |
John Wrathall |
Tomato |
An Amazing Couple (2002) |
"Our attitude towards the multiplying mishaps and recriminations is one of forgiving irony, and watching Alain and Cécile blindly caught up in the screwball logic of the finely calibrated plot is a deliciously sly pleasure." |
|
Splat |
Amen (2003) |
"A handsomely shot but stolid drama." |
Geoffrey Macnab |
Tomato |
American Beauty (1999) |
"Time and again, you fear Mendes won't be able to sustain such a confident shuffling of his pack, but somehow he does, and for once the result is a genuine surprise." |
Kevin Jackson |
Tomato |
American History X (1998) |
"A work of impressive scale and craft and not a movie that's easy to dismiss in the end." |
Andrew O'Hehir |
- |
American Movie (1999) |
Click here to see the review. |
Charles Taylor |
- |
American Perfekt (1997) |
Click here to see the review. |
Danny Leigh |
Tomato |
American Pie (1999) |
"Better than we might expect, but in the end it's simply a noble addition to the lower ranks of thoughtful teen comedies." |
Kevin Maher |
Splat |
American Psycho (2000) |
"The problem, again, is the book, an insurmountable obstacle. If Harron and Turner had set out to make a real movie on these themes, they would never have started from a script like this." |
Tony Rayns |
Tomato |
American Splendor (2003) |
"Harvey Pekar is not your average superhero. He's at once author and character, hero and victim, his life and his art the result of a perpetual two-way osmosis." |
Xan Brooks |
- |
American Women (2000) |
Click here to see the review. |
Kevin Maher |
- |
Among Giants (1998) |
Click here to see the review. |
Philip Kemp |
Tomato |
Amores Perros (2001) |
"An ambitious multi-plotted portrait of overlapping lives in contemporary Mexico City, Amores perros rarely relaxes its grip." |
Edward Lawrenson |
Tomato |
Analyze This (1998) |
"A near-flawlessly paced comedy." |
Charles Taylor |
- |
Angela's Ashes (1999) |
Click here to see the review. |
Nick Roddick |
- |
Anna and the King (1999) |
Click here to see the review. |
Pamela Church Gibson |
Tomato |
Another Day in Paradise (1998) |
"Refreshingly, despite finding his original fame as a still photographer and for his meretricious Kids, Clark here seems more interested in performances than look or style." |
John Wrathall |
Tomato |
Any Given Sunday (1999) |
"Any Given Sunday may fall on its face a few times during the game, but wouldn't you rather watch a team going recklessly for the touchdown than playing safely for time?" |
Mark Kermode |
Splat |
Anywhere But Here (1999) |
"In its eagerness to give voice to the overshadowed daughter, the film never allows the mother to live." |
Charlotte O'Sullivan |
Tomato |
The Apple (1998) |
"Makhmalbaf's impeccable feature-film debut is a witty and precociously intelligent docudrama." |
John Mount |
- |
Aprile (1998) |
Click here to see the review. |
Chris Wagstaff |
- |
Apt Pupil (1998) |
Click here to see the review. |
Kim Newman |
- |
Ararat (2002) |
Click here to see the review. |
|
- |
Arlington Road (1999) |
Click here to see the review. |
Ken Hollings |
- |
Artemisia (1997) |
Click here to see the review. |
Adrian Searle |
Tomato |
Asoka (2001) |
"This enthralling film deserves to realise Indian producers' longstanding dream of reaching an international audience." |
Rachel Dwyer |
- |
Asterix vs. Caesar (1985) |
Click here to see the review. |
Geoffrey Macnab |
- |
The Astronaut's Wife (1999) |
Click here to see the review. |
Ken Hollings |
- |
At First Sight (1998) |
Click here to see the review. |
Geoffrey Macnab |
- |
Austin Powers: The Spy Who Shagged Me (1999) |
Click here to see the review. |
Xan Brooks |
Tomato |
Auto Focus (2002) |
"An exemplary Schrader work, a painfully funny and misanthropic treatise on American masculinity and its sexualised image." |
Linda Ruth Williams |
- |
Autumn Tale (1998) |
Click here to see the review. |
Ginette Vincendeau |
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