Adapted from a horror comic by Junji Ito, this debut feature from Japanese music-video director Higuchinsky begins eerily but doesn't take long to descend into silliness.
Uzumaki (2002)
Tomatometer
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Reviews Counted:22
Fresh:12
Rotten:10
Average Rating:6.2/10
Consensus: Uzumaki uses its creepy, David Lynch-inspired atmospherics to effectively build a sense of dread, but ultimately fails to do anything with it.
Theatrical Release:May 1, 2002 Limited
Synopsis: Based on a Japanese comic book, Higuchinsky's UZUMAKI follows the residents of a remote town as they inexplicably become obsessed with spiral shapes. Kirie (Eriko Hatsune), a young schoolgirl,... Based on a Japanese comic book, Higuchinsky's UZUMAKI follows the residents of a remote town as they inexplicably become obsessed with spiral shapes. Kirie (Eriko Hatsune), a young schoolgirl, first notices this phenomena when she encounters her boyfriend's father (Ren Osugi), maniacally videotaping a snail crawling up a wall. Later, her brooding beau, Shuichi (Fhi Fan), reveals that the odd behavior goes further--his father has filled an entire room with various spiral objects. And that's merely the beginning of the insanity--soon one classmate arrives at school covered in thick, clear slime (and only on rainy days) and the leader of a girl gang begins wearing her hair in gravity-defying swirly strands. Before long, this growing madness leads to a series of gruesome and unbelievably bizarre deaths. Are Kirie and Shuichi next? Unlike most horror films, UZUMAKI is almost entirely unconcerned with explaining its strange scenes; the movie's mono-named director is preoccupied with "how," not "why," these sequences happen and revels in their ridiculousness. The ensuing deaths and transformations--and there are many--are simultaneously amazing, silly, and disturbing. An absurdist thriller of the highest order, UZUMAKI literally wears its weirdness on its twisted sleeve. [More]
Starring: Eriko Hatsune, Fhi Fan, Ren Osugi, Hinako Saeki
Starring: Eriko Hatsune, Fhi Fan, Ren Osugi, Hinako Saeki
Director: Higuchinsky
Director: Higuchinsky
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Reviews for Uzumaki
'Uzumaki is a masterfully rendered living portrait of warped, apocalyptic art...'
Mostly the film creates an infectious feeling of apprehension that slowly crawls up your spine.
Special effects can be tastefully managed even on a shoestring budget, but here they are merely ludicrous.
Gussied up with so many distracting special effects and visual party tricks that it's not clear whether we're supposed to shriek or laugh.
Succumb to its creepy charms, and you’ll never see inner-ear anatomy diagrams, umbrellas, or escargot in quite the same way. You might even hand over laundry chores to someone else.
Eerie and slimy enough to give Tim Burton nightmares, Uzumaki is a superb piece of fantasy cinema.
A somewhat satisfying, because of its uniqueness, but ultimately empty horror chiller.
Required viewing for horror fans, Japanese-cult-cinema fans, and anyone who digs settling in for an unsettling David Lynch evening.
... less a story than an inexplicable nightmare, right down to the population's shrugging acceptance to each new horror.
Uzumaki’s interesting social parallel and defiant aesthetic seems a prostituted muse...
Beautiful, cold, oddly colorful and just plain otherworldly, a freaky bit of art that's there to scare while we delight in the images.
One of the film’s strongest achievements is the way it manages to get so much mileage out of such a simple concept as spirals.
Ultimately the, yes, snail-like pacing and lack of thematic resonance make the film more silly than scary, like some sort of Martha Stewart decorating program run amok.
Got a David Lynch jones? Then you'd do well to check this one out because it's straight up Twin Peaks action...
A surreal fairy tale that coils in on itself like a slow-motion whirlpool and achieves an atmosphere of sublime creepiness without ever precisely making sense.
At some point, all this visual trickery stops being clever and devolves into flashy, vaguely silly overkill.
Things really get weird, though not particularly scary: the movie is all portent and no content.
| Tomatometer Percentage | Movie |
|---|---|
| 45% 45% | Ice Age: Dawn of the D… |
| 19% 19% | Transformers: Revenge … |
| 55% 55% | Orphan |
| 43% 43% | The Proposal |
| 26% 26% | Land of the Lost |
| Tomatometer Percentage | Movie |
|---|---|
| 98% 98% | Up |
| 88% 88% | Ballast |
| 67% 67% | The Merry Gentleman |
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