Kurosawa is the rare director who simply lets his film dissolve into music, allowing the plot to take the film naturally to a musical conclusion.
Tokyo Sonata (2009)
Tomatometer
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Reviews Counted:76
Fresh:70
Rotten:6
Average Rating:7.3/10
Consensus: J-Horror director Kiyoshi Kurosawa turns successfully to dramedy and gives a unique (and specifically national) perspective to the universal subjects of family and identity.
Rated: PG-13 [See Full Rating] for thematic elements and brief strong language.
Runtime: 1 hr 59 mins
Genre: Foreign Films
Theatrical Release:Mar 13, 2009 Limited
Box Office: $103,045
Synopsis: Best known in the United States for bizarre and unsettling horror films like PULSE and CURE, Kiyoshi Kurosawa ventures away from that category with TOKYO SONATA. Of course, Kurosawa is incapable of... Best known in the United States for bizarre and unsettling horror films like PULSE and CURE, Kiyoshi Kurosawa ventures away from that category with TOKYO SONATA. Of course, Kurosawa is incapable of directing a straightforward picture, and TOKYO SONATA is no exception. Retaining the same masterful control over mood and atmosphere that he has displayed throughout his career, Kurosawa infuses this family drama with an underlying tension that permeates the film even during its most humorous moments. The story concerns a Japanese businessman, husband, and father of two, who unexpectedly loses his job. Unable to break the news to his devoted wife, he dresses up every morning and pretends to go to work, instead wasting the days away with a former classmate who is also unemployed. Although they aren't aware of his contradictory behavior, his family begins to disobey him nonetheless. His teenage son enlists in the Army in order to fight for the United States, while his adolescent son goes behind his back to take piano lessons. The longer his charade goes on, the less control he has as patriarch, creating an even deeper divide between him and his family. With TOKYO SONATA, Kurosawa has produced one of his most original and accomplished works. Equal parts social commentary and situational comedy, Kurosawa's film also feels like a thriller, thanks to the exceptionally atmospheric work from cinematographer Akiko Ashizawa and composer Kazumasa Hashimoto. [More]
Starring: Teruyuki Kagawa, Kyoko Koizumi, Haruka Igawa, Yu Koyanagi
Starring: Teruyuki Kagawa, Kyoko Koizumi, Haruka Igawa, Yu Koyanagi, Kai Inowaki
Director: Kiyoshi Kurosawa
Director: Kiyoshi Kurosawa
Screenwriter: Max Mannix, Kiyoshi Kurosawa, Sachiko Tanaka
Producer: Yukie Kito, Wouter Barendrecht
Composer: Kazumasa Hashimoto
Studio: Regent Releasing
Reviews for Tokyo Sonata
Kurosawa's relaxed pacing and lack of concern for explaining every last thing will be a welcome relief if you've wearied of blockbusters...
Director Kiyoshi Kurosawa cut his teeth on horror movies, and his flattened, formal style mines the horror in everyday urban life.
Kagawa does the heavy dramatic lifting in Tokyo Sonata, convincingly portraying a good man flailing against reality. But Koizumi is similarly effective, and the brooding child actor Kai is also top-notch.
A skilful and continually surprising drama, Tokyo Sonata depicts the gradual deterioration of an ordinary Japanese family after its breadwinner loses his job owing to corporate downsizing.
The film transcends conventions of genre and cultural boundaries, and turns out to be one of the most compelling, finely orchestrated and oddly enchanting films of the year so far.
The film in many ways is the bleakest indictment of contemporary Japanese culture I've seen. Yet it also functions as dark comedy, fierce character study and uplifting tale of redemption.
Director Kiyoshi Kurosawa (no relation to the master) is best known for his up-market horror films (Cure, Retribution, and many others.) Here he is dealing with a horror of a different sort: the meltdown of the Japanese economy and the collapse of the soc
While the first half of Tokyo Sonata plays like a darkish comedy, the last half is both bleaker and more emotionally engaging.
A realistic social drama, but the story taps deep, cold wellsprings of dread.
Tokyo Sonata, in so many senses, is about an allergic reaction to the very idea of what it means to be Japanese. The characters misplace their belief in etiquette, politesse, dignity, and propriety -- or they struggle to maintain it.
Although Kurosawa is able to balance tones ranging from humor to unexpected domestic violence, his fantastical transition comes a wee bit left of field, requiring his audience to regain their equilibrium.
An extraordinary work in three movements about the Sasakis, a seemingly ordinary family. In this unpredictable work, the clan implodes, explodes, and glues itself back together.
Tokyo Sonata is Kurosawa allowed at last to make a horror film that reveals that, for him, true horror is being content to accept salvation in the life of a sheep.
Kurosawa effectively depicts the present world financial crisis with his microcosmic analysis of the Sasaki family.
Kiyoshi Kurosawa switches gears from supernatural horror to poignant social satire.
"Tokyo Sonata" is partly brilliant and partly melodramatic soap opera.
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