Musician Bela Fleck brings the banjo back to Africa, where it originated. Overall, the music is terrific and the film's intentions are good. But less would have been more.
Throw Down Your Heart (2009)
Tomatometer
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Reviews Counted:21
Fresh:18
Rotten:3
Average Rating:7/10
Consensus: Throw Down Your Heart is an exuberant musical journey with an edge of sadness.
Rated: Not Rated
Genre: Musical & Performing Arts
Theatrical Release:Apr 24, 2009 Limited
Synopsis:
THROW DOWN YOUR HEART follows American banjo virtuoso Béla Fleck on his journey to Africa to explore the little known African roots of the banjo and record an album. Béla’s boundary-breaking...
THROW DOWN YOUR HEART follows American banjo virtuoso Béla Fleck on his journey to Africa to explore the little known African roots of the banjo and record an album. Béla’s boundary-breaking musical adventure takes him to Uganda, Tanzania, The Gambia, and Mali, and provides a glimpse of the beauty and complexity of Africa. THROW DOWN YOUR HEART presents a portrait of Africa that is very different from what is often seen in the media today. As Ugandan folk musician Haruna Walusimbi states in the film: “There is this negative thinking about Africa. There is nothing good in Africa. They are beggars, there is HIV/AIDS, they are at war all the time. But that is just a very small bit of what Africa is.” Béla’s trip provides a glimpse into the incredibly rich and diverse musical traditions of Africa. At first glance, it might seem odd that the banjo is the catalyst for this journey. But in fact, the banjo is originally an African instrument. And Béla Fleck’s passion for the banjo runs deep. In his trailblazing 30-year career, Béla has brought the instrument into jazz, pop, classical, and world music settings, and won eleven Grammys along the way (not to mention the 27 nominations, in more distinct categories than anyone else, ever). Ever since he started playing music, Béla heard stories about where the banjo came from. To many, the banjo is seen as a uniquely American instrument – and even conjures images of white Southern stereotypes. But the banjo is actually a descendant of an African instrument. West Africans have long played an instrument that looks and sounds much like the banjo. When slave traders captured West Africans, many of the slaves brought that instrument, and the knowledge of how to make it, to the United States. On plantations in the American South, slaves were not allowed to play drums, but they were allowed to play the banjo. Soon, whites started copying it, and the banjo evolved into the instrument we know today – and became a part of American culture. Béla wanted to go to Africa to trace the roots of the banjo, the instrument that defines who he is. But Béla’s journey was also motivated by a deep love of African music. He was inspired by music from all across the continent, and very often he could hear a place for his banjo. When Béla had a year off from his band, Béla Fleck and the Flecktones, he realized it was the perfect opportunity to follow his dream – travel to Africa to collaborate with African musicians. THROW DOWN YOUR HEART tracks Béla’s tuneful collaborations with a wide variety of musicians – from local villagers who play a twelve-foot xylophone, to a family that makes and plays the akonting (thought by many to be the original banjo), to international superstars such as the Malian diva Oumou Sangare. As Béla travels across Africa, Béla uses his banjo to transcend barriers of language and culture, finding common ground with musicians from very different backgrounds and creating some of the most meaningful music of his career.
Starring: Bela Fleck
Starring: Bela Fleck
Director: Sascha Paladino
Director: Sascha Paladino
Producer: Sascha Paladino
Studio: Oceanside Pictures
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Reviews for Throw Down Your Heart
It's a journey long on affecting songs and musical passages, and short on scholarship -- and that works just fine for Fleck's intentions.
This is an honest journey into discovery that reveals the connection music brings between cultures where commonality is not always easy to find.
As a record of a musical experiment, Sascha Paladino's film is a feast of stirring sounds and sights.
If Fleck weren't such a gracious soul chasing the spirit of Sankofa, this could have been an exercise in exploitation of Graceland-ian proportions. But that's hardly the case on his magical musical mystery tour.
Fleck is an ideal protagonist for a film about the adhesive power of music and inadequacy of speech. Even as the plot sags and he grasps clumsily for words, his fingers on the strings are almost momentum enough.
Fleck speaks more with his fingers than in conversation, and the pure musician-to-musician communications joyfully cross language barriers and instrument differences.
Unbegrudgingly hands itself over to the music of its chosen subjects.
It's filled with lively, soulful musical performances that keeps you mostly compelled, but it eventually becomes somewhat dull and lacks enough profound insights, which ultimately leaves you feeling underwhelmed.
The movie is at least 20 minutes too long. By the time Fleck gets to the final stop, Mali, the film, directed by Sascha Paladino (a half-brother of Fleck), has worn out its welcome.
Roll up, roll up, for Béla Fleck's harmonious heritage tour, satisfaction (more or less) guaranteed.
When Ms. Sangare sings a heartbreaking lament of “a worried songbird” searching for her father, you don’t need to know the language to be gripped by the force of her cry.
Fans of world music will enjoy the vibrant and spontaneous performances gathered here.
A musical adventure that follows an American banjo player to Africa where he discovers the power of music to bring people of very different cultures together.
Fleck comes across as respectfully curious and eagerly collaborative while exploring the roots of his favorite musical instrument.
All the jams are fabulously stirring but not sappy, especially when Fleck duels with a Gambian man on a three-string akonting (forefather to the banjo), but there's nothing more to the film.
While it’s usually the film that’s the treasure and the soundtrack album that makes a nice afterthought, both the documentary and the disc of Throw Down Your Heart justify their existence independently -- and rather beautifully.
It reminds us that, in some of the most remote places in the world, people make beautiful music not as a means to fame and fortune but for a daily source of love and nourishment, like family, food and prayer.
There’s tragedy lurking behind every story, but also a necessity that transforms mere histories into something sacred.
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