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Movies / Upcoming / Spinning into Butter
Spinning into Butter

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Spinning into Butter (2009)

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Reviews Counted:31

Fresh:5

Rotten:26

Average Rating:3.6/10

Consensus: Both leaden and stilted, Spinning into Butter is an unsubtle drama with stagy direction and lackluster dialogue.

Rated: R [See Full Rating] for language.

Genre: Dramas

Theatrical Release:Mar 27, 2009 Limited

Synopsis: Sarah Daniels, (Sarah Jessica Parker) is the Dean of Students at the elite, isolated Belmont College in Vermont. After a tough stint at a Chicago college with a mostly African-American student... Sarah Daniels, (Sarah Jessica Parker) is the Dean of Students at the elite, isolated Belmont College in Vermont. After a tough stint at a Chicago college with a mostly African-American student population, Sarah seems to have settled into life at Belmont, where the mostly white student body has become more ethnically diverse after aggressive recruitment of students of color. It’s with great pleasure that Sarah convinces student Patrick Chibas (Victor Rasuk) to accept a huge scholarship for his outstanding work -- even if he has to reclassify himself as “Puerto Rican” (instead of his preferred “Nuyorican” -- he’s never even been to Puerto Rico even though that is his heritage).

But the racial landscape becomes suddenly charged when racist notes are left on the dorm room door of Simon Brick (Paul James), a quiet and shy African-American student. The incident sparks a quick reaction from college Deans Kenney (Miranda Richardson) and Strauss (Beau Bridges), who quickly convene a “race forum” in order to appeal sensitive to the needs and safety of their students. Sarah attends the meeting, which offers little in the way of dialogue and much in the way of public posturing by University president Garvey (James Rebhorn): aside from the campus minister, there is not a person of color on the stage, and students of all races mock the pathetic attempt at addressing a serious incident.

Indeed, students are only too ready to speak to local reporter Aaron Carmichael (Mykelti Williamson), who is himself recently arrived from Chicago. As one of the few African-Americans living near the college, Aaron seems particularly interested in the more subtle forms of racism that occur in the supposedly liberal atmosphere. Sarah, recognizing him from his work in Chicago, asks him to be respectful of Simon’s privacy, and not to stir up too much trouble.

But the racial threats continue -- a rock through Simon’s window, then a noose, and the students seem to be taking it out on each other. Another hastily assembled “forum” turns violent after Patrick Chibas reveals how he was forced to change his ethnicity to get a scholarship because of the administration’s inability to understand the complexities of racial identity. A fight breaks out and makes the evening news, and Sarah is told by the deans to come up with a “ten-point plan” to end racism on campus.

Having found a sympathetic ear in Aaron -- neither of them are particularly happy with the way the issue is being handled, and see themselves as outsiders -- Sarah confesses to Aaron that she, too, has frequent racist thoughts, remnants of her experience in Chicago where some black students -- particularly young men -- often frightened her. She can’t help herself from feeling scared of black men even though she knows there is no justification, and the absurdity of her “ten-point” task makes the entire matter seem hopeless. Aaron says that their only recourse is to find the person who is responsible for the racist threats; until then, it seems that everyone has a guilty hand.

The perpetrator IS found by a group of black students who catch him spray painting “N-I-G” on the wall of an all-black residence -- Sarah is called by the students to find that the guilty party is someone entirely unexpected. As Sarah weighs out her options, she begins to appreciate just how deeply embedded ethnic bias is woven into the language and behavior of those around her, and prompt her to take drastic action when she realizes that, despite the good intentions of many, the system is not going to change. --© Screen Media Films [More]

Starring: Sarah Jessica Parker, Miranda Richardson, Beau Bridges, Mykelti Williamson

Starring: Sarah Jessica Parker, Miranda Richardson, Beau Bridges, Mykelti Williamson, Paul James

Director: Mark Brokaw

Director: Mark Brokaw
Screenwriter: Doug Atchison, Rebecca Gilman
Studio: Screen Media

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Reviews for Spinning into Butter

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Spinning Into Butter is the perfect example of a movie taking an interesting premise and, through incompetence of acting, writing and directing, turning it into an unwatchable mess.

Full Review Source: Washington Times | comment Comment
08/30/09
Sonny Bunch
Sonny Bunch
Washington Times

if you're not interested in a sermon, you'll want to skip this one

Full Review Source: 7M Pictures | comment Comment
06/15/09
Kevin Carr
Kevin Carr
7M Pictures

Butter makes a disastrous transition to film, aiming to salvage pertinent points on the witch's brew of racism through a filmmaking undertaking perhaps best described as "total clown shoes."

Full Review Source: DVDTalk.com | comment Comment
05/05/09
Brian Orndorf
Brian Orndorf
DVDTalk.com
N/R

Click to read the article

Full Review Source: Hollywood Reporter | comment Comment
04/23/09
Hollywood Reporter
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
04/23/09
Betsy Sherman
Betsy Sherman
Boston Phoenix

The biggest lesson from Spinning Into Butter has nothing to do with the ethics of race and more with realizing that every hit play doesn't need to be turned into a movie.

Full Review Source: Dallas Morning News | comment Comment
04/17/09
Cary Darling
Cary Darling
Dallas Morning News
Top Critic Icon Top Critic

Painfully earnest and unrelievedly stilted and cliched, the movie is less a drama than a well-meaning but rather ridiculous diatribe.

Full Review Source: One Guy's Opinion | comment Comment
04/17/09
Frank Swietek
Frank Swietek
One Guy's Opinion

Initially compelling, but spins into a hodgepodge of contrived scenes, uneven drama and poorly developed, yet provocative issues that simmer for too long without actually coming to a boil.

Full Review Source: NYC Movie Guru | comment Comment
03/31/09
Avi Offer
Avi Offer
NYC Movie Guru

It feels like an after school special.

Full Review Source: At the Movies | comment Comment
03/30/09
Ben Lyons
Ben Lyons
At the Movies
Top Critic Icon Top Critic

This movie would’ve been bad in 1983, but at least it would’ve been original.

Full Review Source: At the Movies | comment Comment
03/30/09
Ben Mankiewicz
Ben Mankiewicz
At the Movies
Top Critic Icon Top Critic

The staging by theater director Mark Brokaw, in his first feature, is, well, stagy. I don't mind a movie where people spend a lot of time jawboning, but what they say had better be interesting.

Full Review Source: Christian Science Monitor | comment Comment
03/30/09
Peter Rainer
Peter Rainer
Christian Science Monitor

Crash was a master class in subtlety compared to Spinning Into Butter.

Full Review Source: Washington City Paper | comment Comment
03/27/09
Tricia Olszewski
Tricia Olszewski
Washington City Paper

Betraying its theatrical origins, Brokaw's feature debut is a vastly disappointing message movie in which Sarah Jessica Parker (also credited as producer) is miscast, to say the least.

Full Review Source: EmanuelLevy.Com | comment Comment
03/27/09
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

The foils have no compunction about hurling ugly truths at each other, most of the time much too literally to work on screen.

Full Review Source: Los Angeles Times | comment Comment
03/27/09
Glenn Whipp
Glenn Whipp
Los Angeles Times
Top Critic Icon Top Critic

The material is crying out for a satiric wit or at least a stronger point of view. Instead, it's a mishmash in which everyone gets to say his piece, but all of it has been said before.

Full Review Source: New York Post | comment Comment
03/27/09
Kyle Smith
Kyle Smith
New York Post
Top Critic Icon Top Critic

This movie adaptation of Rebecca Gilman's play is a methodical, not to say mechanical and plodding, exploration of identity politics and language.

Full Review Source: New York Times | comment Comment
03/27/09
Stephen Holden
Stephen Holden
New York Times
Top Critic Icon Top Critic

The best of intentions and a welcome willingness to engage on the touchiest issues is not enough to keep this movie from feeling more like a seminar than a story.

Full Review Source: Beliefnet | comment Comment
03/26/09
Nell Minow
Nell Minow
Beliefnet

Credit goes to playwright Gilman and company for addressing an ugly situation head on. Unfortunately, it's a scenario that lends itself to hot air and that's what the movie blows.

Full Review Source: Boxoffice Magazine | comment Comment
03/26/09
John P. McCarthy
John P. McCarthy
Boxoffice Magazine

The film feels stuck in a particularly '90s-flavored argument -- about political correctness and culture wars on campus -- that you probably got tired of during your junior year.

Full Review Source: Washington Post | comment Comment
03/26/09
Dan Kois
Dan Kois
Washington Post
Top Critic Icon Top Critic

Despite an earnest and dour tone, the story and the subjects tackled are compelling and thought-provoking.

Full Review Source: USA Today | comment Comment
03/26/09
Claudia Puig
Claudia Puig
USA Today
Top Critic Icon Top Critic
 
 
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