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The Seeker (2007)
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Reviews Counted:88
Fresh:12
Rotten:76
Average Rating:3.9/10
Consensus: The magic of the book is lost in translation with The Seeker, due to its clumsy plot and lack of heart.
Rated: PG [See Full Rating] for fantasy action and some scary images.
Runtime: 1 hr 39 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:Oct 5, 2007 Wide
Box Office: $8,746,699
Synopsis: Based on Susan Cooper's 1973 Newbery Award-winning fantasy novel, THE DARK IS RISING, director David L. Cunningham's 2007 film follows the adventures of young protagonist Will Stanton (Alexander... Based on Susan Cooper's 1973 Newbery Award-winning fantasy novel, THE DARK IS RISING, director David L. Cunningham's 2007 film follows the adventures of young protagonist Will Stanton (Alexander Ludwig), who discovers that he is an immortal being connected with an ancient struggle between good and evil. Aided by fellow "Old Ones," including Miss Greythorne (Frances Conroy) and Merriman Lyon (Ian McShane), Will, an American transplant in England, must face off against shadowy forces bent on world domination, most notably represented by the black-clad Rider (Christopher Eccleston). Taking a different approach to Cooper's revered novel, THE SEEKER, actually drawn from the second book in THE DARK IS RISING sequence, will certainly raise the eyebrows of ardent fans of the series, particularly given screenwriter John Hodge's considerable alterations to the original story. (For example, Will is American instead of British.) For those unattached to Cooper's story, however, THE SEEKER will likely prove to be an enjoyable escapist film, with Conroy (SIX FEET UNDER), McShane (DEADWOOD), and Eccleston (HEROES) adding credibility to a largely unknown cast that is anchored by the likable Ludwig. Presented by Walden Media, the company behind the CHRONICLES OF NARNIA screen adaptations, THE SEEKER may not please Cooper purists, but it will undoubtedly entertain those looking for a diverting fantasy movie. [More]
Starring: Alexander Ludwig, Christopher Eccleston, Ian McShane, Frances Conroy
Starring: Alexander Ludwig, Christopher Eccleston, Ian McShane, Frances Conroy, Jonathan Jackson
Director: David L. Cunningham
Director: David L. Cunningham
Screenwriter: John Hodge
Producer: Marc Platt
Composer: Christophe Beck
Studio: 20th Century Fox
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Reviews for The Seeker
a lot of shouting offered up as an ineffectual camouflage to the picture's complete lack of ambition.
Sloppy, lifeless storytelling so limp it guarantees no sequels will be made.
The Seeker is great-looking and well-acted, but unlike the Potter books and films, there's no sense that it's about anything more than the throwing-balls-of-smoke and mind-melding that we see onscreen.
It's important, when criticising some of the more clichéd elements here - the dark versus the light, the Tolkein parallels, the quests - to bear in mind that this film is aimed at older children, not your average jaded film critic.
Not-too-impressive CG effects and frenetic camera work but cannot mask what is--or, rather, what isn't there.
The excessive strobe effects may trigger epileptic fits, but the movie itself will induce narcolepsy.
By Americanising the hero and grotesquely distorting the plot, they can only alienate the fan-base and confuse the newcomer.
A moderate Potter-teen fantasy about an American kid who comes to little old England with his family (dad's on some kind of academic posting) to find that he is the boy-king leader of a group of supernatural warriors.
An uncanny and unholy blend of The Fifth Element, The Sixth Sense and The Seventh Seal.
The Dark is Rising is one of those awful sorcery tales where a spotty young boy (Alexander Ludwig) suddenly gets to save the Earth from supernatural creeps such as Christopher Eccleston.
Not very likely to seize that Potter market, this is a disappointing film that starts out okay but goes rapidly downhill, thanks to rudimentary characterisation and storytelling that's designed more to accommodate gratuitous action.
Imagine Time Bandits confined to a boring Berkshire village and drained of colour, and you can see why this pig’s ear of Susan Cooper’s well-received children’s story went belly-up at the US box office.
Off-the-shelf teen fantasy not likely to satisfy the post-Potter/LOTR crowd but guaranteed to enrage fans of the source novel. The newly added quasi-religious overtones don’t help either.
The script is rather bland, the action sequences are extremely dull and it lacks a big effects-heavy set-piece.
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