big, overwrought melodrama that celebrates the joy of big, overwrought melodramas
Paris 36 (2008)
Tomatometer
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Reviews Counted:75
Fresh:44
Rotten:31
Average Rating:5.7/10
Consensus: Sweet and light, this homage to French vaudeville -- and Francophilia in general -- is pretty, but its air of nostalgia occasionally borders on the saccharine.
Rated: PG-13 [See Full Rating] for some sexuality and nudity, violence and brief language.
Runtime: 2 hrs
Genre: Comedies
Theatrical Release:Apr 3, 2009 Limited
Box Office: $812,429
Synopsis:
Spring 1936 - in a working-class district in the north of Paris, a neighborhood that probably had a name once but that everyone now simply calls the Faubourg. At the top of the hill, a view over...
Spring 1936 - in a working-class district in the north of Paris, a neighborhood that probably had a name once but that everyone now simply calls the Faubourg. At the top of the hill, a view over Paris to one side and, to the other, the burgeoning suburbs of the city. A small square, a few shops, lopsided buildings, cobbled streets and the peeling façade of the neighborhood music hall, the Chansonia.
In this blue-collar neighborhood, the triumphant election of the Popular Front government is greeted with enthusiasm and hopes for a brighter tomorrow, yet stirs up all kinds of extremism. Among the new government's promises, the famous law on paid holidays that will allow numerous workers to see the sea for the first time.
In early May, three inhabitants of the Faubourg, show-business workers and close friends, do not share other people's wild hopes, the Chansonia, the music hall that employed them, closed down four months earlier, leaving them all unemployed.
Pigoil (Gérard Jugnot), a stage-hand, thirty years with the Chansonia.
Without a job, he could lose custody of his 12-year-old son, JOJO (Maxence Perrin)and have to give up his plans to take him to see the sea.
MILOU (Clovis Cornillac), a hotheaded electrician and a skirt-chaser. Symbol of the "workers aristocracy," spokesman for every kind of demand, he is determinded to "change the world."
JACKY (Kad Merad), former sandwich man at the Chansonia. After carrying aroundthe names of stars on his sandwich board for years, Jacky has started dreamingthat he will be the king of the music hall himself one day. Convinced that he has a talent for imitation, he continually seeks engagements that he never finds.
Supported by the locals who live to the rhythm of Monsieur TSF's (Pierre Richard) radio, the three friends decide to take hold of their destiny: they try to force the hand of fate by occupying the Chansonia and producing the "hit" musical that will allow them to buy the place. Each one of them has different motives but they all share the same goal: finding new balance in their lives.
In addition to their lack of experience, they have to deal with the hostile antagonism of the neighborhood "godfather", Galpiat (Bernard-Pierre Donnadieu), and come to terms with the arrival of a mysterious and attractive young singer, Douce (Nora arnezeder).
The dream of a whole neighborhood, can the Chansonia "rise from its ashes" in this joyous month of June?
--© Sony Pictures Classics
Starring: Gerard Jugnot, Nora Arnezeder, Clovis Cornillac, Bernard-Pierre Donnadieu
Starring: Gerard Jugnot, Nora Arnezeder, Clovis Cornillac, Bernard-Pierre Donnadieu, Kad Merad, Pierre Richard, Maxence Perrin, Francois Morel, Elisabeth Vitali, Eric Prat
Director: Christophe Barratier
Director: Christophe Barratier
Story: Frank Thomas, Jean-Michel Derenne, Reinhardt Wagner
Producer: Jacques Perrin, Nicolas Mauvernay
Composer: Reinhardt Wagner
Studio: Sony Pictures Classics
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Release:
Aug 11, 2009
Reviews for Paris 36
A frothy concoction that thrives on the improvisational creativity found on a stage.
It is a musical comedy/drama set in another time and place that asks you to give yourself over... If you're willing to play along the result is magnifique.
It's clearly old-fashioned entertainment, and while the blue-hairs will dig it, I suspect many of us with brown, blonde, black or red hair will embrace it as well.
A stereotypical 'little' French film that nevertheless comes wrapped in an awfully sweet package.
Those who like their movies (a) cute and (b) in French will go oui, oui, oui all the way home after spending 120 minutes with this rose-tinted homage to the neighborhood music halls of France...
This flaky French import can't stick to one story and can't find a way to resolve its myriad story lines in the proper fashion.
Oh my goodness, I didn't expect this: Paris 36 is The Muppet Show in, you know, Paris in 1936.
Paris 36 is one of those exasperating movies which can't decide what it want to be and, as a result, ends up being not very much as all.
It's a complete confection -- handsome, sentimental. In the end, it works as entertainment.
Paris 36 is ill-conceived, predictable, overlong, flatly directed, over-acted, uninvolving, corny, riddled with trite music and smugly self-regarding. Not an unqualified success, one might say.
Some of the musical numbers are way too elaborate to have been presented in a suburban music hall, but if you want reality, this isn't the movie you're looking for.
Most of the disasters and triumphs that follow can be predicted well in advance. But the film brings them off with panache, particularly when it transforms into the fully fledged musical that it should have been all along.
This is the sort of sentimental, nostalgic film that constitutes a pleasant night at the movies -- it’s churlish to protest that it could have been much more.
Barratier loves these people, this place, this period. The film is mostly confection, it's true, but of a very high order.
Paris 36 is a quaint trifle, re-creating an era and its atmosphere with nostalgia and affection.
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