Acknowledging the fact that you're a tedious, self-indulgent storyteller doesn't excuse the fact that you're a tedious, self-indulgent storyteller.
On the Road with Judas (2007)
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Reviews Counted: 5
Fresh: 3
Rotten:2
Average Rating: 4.7/10
Theatrical Release:2007
Synopsis: If we tell ourselves stories to live, as a famous author puts it, then the task of modern cinema is not just to allow us to experience but also to revisit and become conscious. And if all this... If we tell ourselves stories to live, as a famous author puts it, then the task of modern cinema is not just to allow us to experience but also to revisit and become conscious. And if all this seems so ethereal, so academic, meet JJ Lask, the author and creator of some of the most original storytelling I've seen this year. On the Road with Judas is a film based on a real novel, written by a writer, played by an actor, about the real characters and the actors playing those characters in this story. It is also a delightful and fun romp about crime, love, and David Lee Roth. Lask, the novelist, lives in two worlds, and both exist inside his mind. His characters are both "real" and "actors." His main character, Judas, is also a man living a double life as an entrepreneur and a petty criminal. But when he falls in love, he must deal with things which he cannot simply handle. This deliciously playful tapestry of narrative point of view--at times recondite but always stimulating--of the author, the filmmaker, and the subjects is seamlessly integrated and invigoratingly sophisticated. Poignant as well as cerebral, the postmodern and charming On the Road with Judas resonates with a multiplicity of voices that underscore the complexity of truth and fiction. --© Sundance Film Festival [More]
Starring: Aaron Ruell, Kevin Corrigan, Eddie Kaye Thomas, Eleanor Hutchins
Starring: Aaron Ruell, Kevin Corrigan, Eddie Kaye Thomas, Eleanor Hutchins, Leo Fitzpatrick
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Reviews for On the Road with Judas
For those who enjoy the intellectualism, imagery and melancholy of works such as The Royal Tenenbaums or Eternal Sunshine of the Spotless Mind, this is a film worth checking out.
Far more infatuated with its own cleverness than audiences are likely to be.
Lask naver got fomral education but he's certainly movie savvy for his complex and convoluted debut borrows heavily from the recent cycle of postmodern metaphyical meta-narrative films of Michel Gondry, Spike Jonze, Kaufman, and even Marc Forster
Clever and moderately entertaining, film is a puzzle that will find some supporters as surely as it will sharply divide audiences.
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