O'Horten won't be for everyone, but if you enjoy character-driven films that also treat the landscape as a character, this one has a certain charm and appeal.
O'Horten (2009)
Tomatometer
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Reviews Counted:75
Fresh:67
Rotten:8
Average Rating:7.1/10
Consensus: Bent Hamer's latest is a droll, deadpan comedy filled with strange touches and melancholy charm.
Theatrical Release:May 22, 2009 Limited
Box Office: $170,980
Synopsis: Odd Horten (Baard Owe) is a man with a lot of time on his hands. The character at the center of Bent Hamer’s wry social comedy, O'HORTEN, is a former train driver who struggles to adjust to the... Odd Horten (Baard Owe) is a man with a lot of time on his hands. The character at the center of Bent Hamer’s wry social comedy, O'HORTEN, is a former train driver who struggles to adjust to the freedoms of retirement. Hamer carefully outlines the rituals from Horten’s working life: recurring visits to a local tobacconist to fuel his pipe-smoking habit, a pre-work routine in his Oslo apartment, and visits to a small-town hotel where the kindly female owner treats him with considerable fondness. Most of Hamer’s movie takes place in the snow-covered Oslo night, where Horten encounters a series of erratic characters as his own behavior slides into nonconformity. The director fills his movie with little eccentricities that are rarely explained but often provoke amusement, such as the time Horten emerges from a late-night dip in a swimming pool, clad in a pair of red high-heeled shoes. O'HORTEN is a wonderfully amusing piece, with Hamer demonstrating his innate ability for offbeat comedy. The strange atmosphere and long silences are reminiscent of the work of Finnish director Aki Kaurismaki, and the oddball denizens of the Oslo night are similar to the way-out characters of Jim Jarmusch’s MYSTERY TRAIN. Hamer’s movie is a compelling exploration of a loner who has had all the familiarity stripped from his world, and flounders as he seeks to find meaning in a life shorn of routine. Owe’s deadpan delivery is flawless, and his restrained performance offers few clues as to what is going on in Horten’s head, requiring the audience to ponder the motivations for his increasingly peculiar behavior. The mixture of humor and poignancy are kept in a delicate balance throughout, with Hamer gently steering his small cast through a film full of richly rewarding subject matter. [More]
Starring: Baard Owe, Espen Skjonberg, Ghita Norby, Bjorn Floberg
Starring: Baard Owe, Espen Skjonberg, Ghita Norby, Bjorn Floberg, Kai Remlov, Henny Moan, Bjarte Hjelmeland, Per Jansen
Director: Bent Hamer
Director: Bent Hamer
Screenwriter: Bent Hamer
Producer: Bent Hamer
Composer: KAADA
Studio: Sony Pictures Classics
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Reviews for O'Horten
It's a film whose pleasures come slowly, as we, like the title character, discover the joys he's missed. Best of all, we, like Odd the Norwegian bachelor, figure out it is never too late to start living.
O’ Horten moves slowly, sometimes excruciatingly so, but its thematic center is strong: How do you run out the clock of life?
...a fable that relies less on fantastical transport than the defrosting of cool faculties; less on the titillation of the senses than the thawing of frozen hearts.
Hamer creates a quirky, beguiling, and very funny mood piece that reflects on age, adventure, uncertainty, and humanity. Owe gives the character of Horten an off-center dignity that will suggest comparisons to Jacques Tati and Buster Keaton
The decidedly Nordic -- though not at all glacial -- O'Horten is a mixture of sweetness and deadpan that proves the Kaurismäki/Andersson school of filmmaking still has new delights in store.
As an old man, Horten is a rare movie hero, but the director reminds us that other things are more ancient; in one scene, Horten hefts a meteorite that predates the sun, and in another scene, Strindberg is quoted: 'In due time, even the stars must fall.'
Episodic ... (but) reflective of life and the fluidity with which it passes.
This unremarkable fellow finds himself in some strange circumstances, thanks to the imagination of writer/director Bent Hamer.
The whimsy is never overplayed. The peculiar isn't teased at any character's expense.
This yarn about a train conductor whose life goes off track is Nordic to its bones: efficient, humane and droll in small measures.
Thanks to the consistent deadpan tone that Hamer and Owe establish, it's oddly satisfying.
Pointedly strange and whimsical, O'Horten mixes the surreal with the mundane in its depiction of the retirement and eventual rebirth of a train engineer.
Bent Hamer has proved himself an apt pupil of such deadpan comic filmmakers as Jim Jarmusch and Aki Kaurismaki.
Quiet and lovely, its subtle pleasures reminded me of Erik Satie's 'Gymnopedie.'
Depending on your patience for oddball mood pieces, you will either sleep through O' Horten or be oddly captivated. Either way, it'll be like dreaming.
[Hamer] observes the exact and skewed detail, the oppressive but chimerical Norwegian bleakness, the look, the feel, and the profundity of the everyday.
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