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The Motorcycle Diaries (2004)
Tomatometer
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Reviews Counted: 150
Fresh: 125
Rotten:25
Average Rating: 7.5/10
Consensus: The Motorcycle Diaries is heartfelt and profound in its rendering of the formative experiences that turn Ernesto "Che" Guerva into a famous revolutionary.
Theatrical Release:Sep 24, 2004 Limited
Box Office: $16,680,023
Synopsis: In 1952, a young medical student and a biochemist from Argentina set off on a road trip across South America. As they straddled their beaten up motorcycle, the men talked in awed tones of the... In 1952, a young medical student and a biochemist from Argentina set off on a road trip across South America. As they straddled their beaten up motorcycle, the men talked in awed tones of the sights they were about to experience. The record of their trip may have disappeared into the ether if one of the riders departing on that fateful day hadn't been the future insurrectionary figurehead of the Cuban revolution, Ernesto "Che" Guevara (played here by Gael Garcia Bernal). The young Che's companion on the trip was his best friend, Alberto Granado (Rodrigo de la Serna), with their simple goals being to enjoy themselves, and meet some girls along the way. As the trip unfolds at the behest of their spluttering motorcycle, the boys discover more about themselves than they ever imagined possible. Ernesto clings tightly to his ideals throughout, and delights in the opportunity to put them into practice. His refusal to spend the $20 provided by his girlfriend, Chichina Ferreyra (Mia Maestro), constantly angers his travelling companion as the two succumb to pangs of hunger. Ernesto's charitable nature comes to the fore when he reveals that he gave the money to a pair of out-of-work illegal immigrants. The trip winds down as the friends offer their medical expertise to a leper colony in Peru, with the duo's youthful folly acquiescing to adulthood, and the dawning realization of where they should head in life. Based on the books THE MOTORCYCLE DIARIES (by Guevara) and TRAVELLING WITH CHE GUEVARA (by Granado), director Walter Salles (CENTRAL STATION) pulls some highly accomplished performances from his two leads. The South American landscape is breathtakingly captured on camera, with Salles vividly reproducing a continent beleaguered by poverty and disease, but containing a population in possession of an unshakeable sense of optimism, as beautifully personified by Guevara and Granado. [More]
Starring: Gael Garcia Bernal, Rodrigo de la Serna, Mia Maestro, Mercedes Moran
Starring: Gael Garcia Bernal, Rodrigo de la Serna, Mia Maestro, Mercedes Moran, Jorge Chiarella, Erto Pantoja
Director: Walter Salles
Director: Walter Salles
Screenwriter: Jose Rivera
Producer: Edgard Tenenbaum, Michael Nozik, Karen Tenkoff
Composer: Gustavo Santaolaya
Studio: Focus Features
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Reviews for The Motorcycle Diaries
A thought-provoking film, grounded in breathtaking scenery and engaging performances.
For most of the viewers, regardless of their political beliefs, THE MOTORCYCLE DIARIES is a journey worth taking.
This is the kind of movie that a serious student of the art of filmmaking will relish.
In a time when so many 'biopics' are predictable love-fests, it's great to see a film that digs back into a famous person's youth and explains HOW he became so influential.
The two leads are strong; but while the trip may have substantially moved the two travelers, the film doesn't move much until the last half-hour.
As a movie, The Motorcycle Diaries is beautiful, with strong acting, breathtaking location cinematography and a vibrant story. As history, it is more dubious.
The understated drama frequently takes a backseat to magnificent scenery, lusciously photographed by cinematographer Eric Gautier.
Many of the people they meet are unremarkable. In fact, the two main characters aren't all that interesting, either.
... marble immortals begin their lives as mere human children, susceptible to the delights and terrors of a humming and limited world.
Left me less than sated and unprepared for its apolitical stance on a subject who was known for his leftist radicalism.
Filled with the vigour and humour of youth and the depth of idealism, but carried on a tide of visceral human experience
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