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Man on the Train (2003)
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Reviews Counted:109
Fresh:100
Rotten:9
Average Rating:7.5/10
Consensus: A lovely, contemplative character study with two wonderful performances at its center.
Rated: R [See Full Rating] for some language and brief violence
Runtime: 90 mins
Genre: Foreign Films
Theatrical Release:May 9, 2003 Limited
Box Office: $2,316,487
Synopsis: In a sleepy French backwater, a train pulls into a deserted station, depositing a lone passenger: a grizzled man in a fringed leather jacket. He looks like a criminal, albeit an aging criminal, a... In a sleepy French backwater, a train pulls into a deserted station, depositing a lone passenger: a grizzled man in a fringed leather jacket. He looks like a criminal, albeit an aging criminal, a man who has never before asked questions of life or made deep connections with anybody, arriving for a final showdown, and he is. But, within minutes, he bumps into a local retired poetry teacher in dapper clothes, a man who looks like someone waiting for something exciting to happen, who appears perfectly settled in his life, and he was.until now. Suddenly, these two disparate men are about to find, at the very end of the line, an unexpected friendship, an opportunity to look back on their dashed hopes, and a magical, momentary chance to explore the road not taken. Patrice Leconte's award-winning Man on the Train is a simple, humor-filled tale that resonates with deeper themes of friendship and fate, of longing and regret and most of all, of the passage of time and the choices we make. It is the story of two men who might never have met but for an accident, who appear to have nothing in common, yet who change each other's view of life at the last possible moment. When the criminal Milan (French rock icon Johnny Hallyday) rolls into town planning to knock off the local bank on Saturday, he assumes it will go off without a hitch. Then he encounters Manesquier (leading French actor Jean Rochefort). A retired poetry teacher whose sedentary lifestyle bores even himself, Manesquier offers Milan a much-needed drink of water in his musty old chateau. The only thing they seem to share is that Manesquier, too, has an important date on Saturday; but his is for open-heart surgery. From the start, the two men are equally wary of the other. Manesquier senses that Milan is up to no good, while Milan is driven crazy by Manesquier's incessant talking. But, when Milan is forced to hole up in Manesquier's mansion until the robbery, the distance between them begins to disappear. Suddenly, Manesquier wonders what it would be like to trade his books and art for Milan's gun and life of adventure. Meanwhile, Milan covets Manesquier's bedroom slippers and cozy life of stability. As their friendship develops, surprising moments of humor and tenderness emerge, as each seemingly defies his personality to explore his yearning for the life of the other. Saturday arrives. Milan and Manesquier have no choice but to part ways and head towards their different destinies. But even their destinies are no longer the same, for their very dreams have become intertwined. [More]
Starring: Jean Rochefort, Johnny Hallyday, Jean-Francois Stevenin, Pascal Parmentier
Starring: Jean Rochefort, Johnny Hallyday, Jean-Francois Stevenin, Pascal Parmentier, Isabelle Petit-Jacques, Edith Scob
Director: Patrice Leconte
Director: Patrice Leconte
Screenwriter: Claude Klotz
Producer: Philippe Carcassonne
Studio: Paramount Classics
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Reviews for Man on the Train
Laconte's direction is calculative all the way, but his telling fails to register very much
You get the feeling you are watching the adaptation of a classic novel, when in fact the script is an original work of impressive poetry and unpredictable dialogue...
Thought-provoking, tender and funny, far better than your average ‘one last score’ film.
Although Leconte leads his characters to a baffling conclusion, he creates a satisfying portrayal of two old would-be cowboys heading for what could be the last roundup
Lacking the sweep of The Widow of St. Pierre and the audacity of The Girl on the Bridge, here Leconte seems to be working on a character sketch...
Bleak, blue lighting and washed out colours emphasise the wintriness of the tale; but there isn't nearly enough dramatic conflict to sustain this to feature length.
It's nice to see a film about the regrets of old age that doesn't resort to Grumpy Old Men-style humor or cheap action sequences.
A collision of cultures--a movie in love with movies, literature, poetry and music, but not to the point of worship or distraction.
Combine the elegiac Sam Peckinpah of The Wild Bunch and the fatalistic Jean-Pierre Melville of Le Samourai or Le Flic and the result might well be The Man on the Train, director Patrice Leconte's 20th film.
This is a film that delivers in layers. The top, and most easily accessed, is that of an enjoyable human drama. But peel back the second skin and you’ll finds scads of unanswered questions and possibilities.
A movie that's slow, reflective, full of resignation toward death and small ironies about life.
Latest News for Man on the Train
April 23, 2008:
LeConte's Man on the Train Learning to Speak English ![]()
Miramax is prepping an English remake of Patrice LeConte's Man on the Train, with Thomas Bezucha in talks to direct. More...
| Tomatometer Percentage | Movie |
|---|---|
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| 43% 43% | The Proposal |
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| Tomatometer Percentage | Movie |
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| 98% 98% | Up |
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| 67% 67% | The Merry Gentleman |
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