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Idlewild (2006)
Tomatometer
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Reviews Counted: 120
Fresh: 58
Rotten:62
Average Rating: 5.7/10
Consensus: Idlewild has some truly breathtaking moments, but borrows too heavily from other similar movies, and the disjointed script is not worthy of talents involved.
Rated: R [See Full Rating] for violence, sexuality, nudity and language.
Runtime: 2 hrs 1 min
Genre: Dramas
Theatrical Release:Aug 25, 2006 Wide
Box Office: $12,549,485
Synopsis: André Benjamin and Antoine A. Patton--aka Andre 3000 and Big Boi of the hip-hop duo Outkast--star in this uproarious period piece, a comedy-drama-musical-action film set in Prohibition-era... André Benjamin and Antoine A. Patton--aka Andre 3000 and Big Boi of the hip-hop duo Outkast--star in this uproarious period piece, a comedy-drama-musical-action film set in Prohibition-era Virginia. Patton plays Rooster, the lead singer at a raucous, high-class all-black club called Church. Benjamin plays Percival, his best friend, who is the piano player at the club and the shy son of a funeral parlor owner (played by Ben Vereen). Terence Howard (HUSTLE AND FLOW) provides the menace as Trumpy, a vicious underling of Rooster's bootlegger father (Ving Rhames). Meanwhile, a beautiful singer (Paula Patton) comes to town and Percival finds himself falling in love--much to his terror, as he's afraid to leave the small community of Idlewild for the big city: Chicago, her next stop. As Rooster prepares for a showdown with Trumpy, Percival faces his fears, the band heats up, and the guns and songs come out for a big final night at the Church. This is clearly a labor of love for writer/director Brian Barber and the Outkast crew: a color-saturated adrenalin rush of witty dialogue, loving attention to period detail, boisterous and athletic dancing, and lots of eye-popping digital animation (such as Rooster's talking/singing whiskey flask). Appearing in a bevy of diamond-studded cameos and bit parts are Cicely Tyson, Macy Gray, Cedric the Entertainer, Patti LaBelle, Jackie Long, Faizon Love, Malinda Williams, and child rapper Bobb'e J. Thompson, who is hilarious--and demonstrates some very fancy footwork--as the young Rooster. [More]
Starring: Big Boi, Andre 3000, Macy Gray, Terrence Howard
Starring: Big Boi, Andre 3000, Macy Gray, Terrence Howard, Patti LaBelle, Ving Rhames, Faizon Love, Cicely Tyson, Ben Vereen, Paula Jai Parker, Paula Patton
Director: Bryan Barber
Director: Bryan Barber
Screenwriter: Bryan Barber
Producer: William Green, Robin O'Hara
Studio: Universal Pictures
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Reviews for Idlewild
Though not as good as I hoped it would be, it's still an above par musical effort in the end...
1930s black America becomes just a stage for OutKast's vanity project.
Neither fish nor fowl. Nor foul, either, though not great--and ultimately, more idle than wild.
In spite of several inspired moments where it exhibits some genuine promise, this desperate attempt to be all things to all people ends up sabotaging any potential to make a memorable contribution to the annals of cinema.
The music, which sounds like a collaboration between Cab Calloway and Run DMC, keeps the story flowing.
Idlewild overflows with inventiveness and random weirdness that sort of make it a must-see even if it isn't a particularly good film.
For a band whose music is suffused with such delicate irony, you’d expect at the very least for there to be a few laughs along the way? There are none. Nothing. Zero.
Fans happy to luxuriate in its artistic indulgence, however, will be swept up in the weird, random, fantastic OutKastness of it all.
You have to hand it to those OutKast fellas -- even when they make a mess, they do it with style.
an eccentric, audacious musical that, like "Moulin Rouge," blends backstage drama, tragic romance and flights of fantasy into a story that bravely jumps from genre to genre and from era to era.
An imaginatively rendered and ultimately touching expression of the collision of creativity and responsibility, and the former bursting through the constraints of a small town outlook of diminished expectation.
You'll probably come to Idlewild for the musical excitement, but you may just find yourself leaving with a surprisingly bittersweet lump in your throat.
Structurally all over the place but its infectious rhythms more than make up for narrative deficiencies.
Coming from a band as creative as OutKast, this film is a big letdown, because it lacks any creativity of its own.
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