A turgid, CGI-Frankenstein reject
Hulk (2003)
Tomatometer
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Reviews Counted:221
Fresh:135
Rotten:86
Average Rating:6.2/10
Consensus: Too much talking and not enough smashing.
Rated: PG-13 [See Full Rating] for sci-fi action violence, some disturbing images and brief partial nudity
Runtime: 2 hrs 18 mins
Genre: Action/Adventure
Theatrical Release:Jun 20, 2003 Wide
Box Office: $132,122,995
Synopsis: What if you always had someone around to look out for you? To defend you when challenged by a bully, threatened by an enraged driver, assaulted by a knifewielding mugger? That at those moments... What if you always had someone around to look out for you? To defend you when challenged by a bully, threatened by an enraged driver, assaulted by a knifewielding mugger? That at those moments of stress and escalating violence, someone appears— an ever-present avenger, fueled by righteous anger and possessing unequalled strength—and vanquishes the antagonist, rights the wrong, settles the score. Without remorse. Without consequence. Without memory. And what if that someone…was you? After more than four decades of continuing popularity, one of Marvel Comics’ most enduring and compelling comic book creations comes to the big screen, continuing Marvel’s superlative track record of bringing its classic characters to motion picture life: Blade, X-Men, Spider-Man, Daredevil. And now, this summer, The Hulk arrives. Scientist Bruce Banner (ERIC BANA) has, to put it mildly, anger management issues. His quiet life as a brilliant researcher working with cutting edge genetic technology conceals a nearly forgotten and painful past. His ex-girlfriend and equally brilliant fellow researcher, Betty Ross The Hulk – Production Information (Academy Award. winner JENNIFER CONNELLY), has tired of Bruce’s cordoned off emotional terrain and resigns herself to remaining an interested onlooker to his quiet life. Which is exactly where Betty finds herself during one of the early trials in Banner’s groundbreaking research. A simple oversight leads to an explosive situation and Bruce makes a split-second decision; his heroic impulse saves a life and leaves him apparently unscathed—his body absorbing a normally deadly dose of gamma radiation. …And yet, something is happening. Vague morning-after effects. Blackouts. Unexpected fallout from the experiment gone awry. Banner begins to feel some kind of a presence within, a stranger who feels familiar, slightly dangerous and yet darkly attractive. All the while, a massive creature—a rampaging, impossibly strong being who comes to be known as the Hulk—continues its sporadic appearances, cutting a swath of destruction, leaving Banner’s lab in shambles and his house with blown out walls. The military is engaged, led by Betty’s father, General “Thunderbolt” Ross (SAM ELLIOTT), along with rival researcher Glenn Talbot (JOSH LUCAS), and both personal vendettas and familial ties come into play, heightening the danger and raising the stakes in the escalating emergency. Betty Ross has her theories, and she knows the shadowy figure lurking in the background, Bruce’s father, David (NICK NOLTE), is somehow connected. She may be the only one who understands the link between scientist and the Hulk, but her efforts to stop the military threat, deploying every weapon in its attempt to capture the monster, may be too late to save both man and creature. Acclaimed Oscar.-winning filmmaker ANG LEE (Crouching Tiger, Hidden Dragon) turns his masterful eye to adapting the classic Marvel Comics character for the big screen. Setting out to faithfully transfer the Hulk comic book character from four-color paneled page to motion picture screen, Lee combines all the elements of a blockbuster visual effects-intensive Super Hero. movie with the brooding romance and tragedy of Universal’s classic horror films. Staying true to the early subversive spirit of the Hulk as envisioned by its creators (Stan Lee and Jack Kirby) while also tuning the tale to current dangerous times, Lee presents a portrait of a man at war with himself and the world, both a Super Hero and a monster, a means of wish fulfillment and a nightmare. Committed to bringing the Hulk to authentic life, director Lee and his effects teams logged countless hours to assure a creature true to the essence of Kirby’s powerful seminal artwork and Lee’s mythic stories. Designers and artists returned to the original Hulk character conceptions to honor the Marvel traditions and place the creature in a motion picture world—grounded in reality, dictated by time-honored practice and colored by comic book convention. Universal Pictures Presents, In Association with Marvel Enterprises, A Valhalla Motion Pictures / Good Machine Production of An Ang Lee Film: The Hulk, starring Eric Bana, Jennifer Connelly, Sam Elliott, Josh Lucas and Nick Nolte. Music is by Danny Elfman. The costume designer is Marit Allen. The editor is Tim Squyres, A.C.E. The production designer is Rick Heinrichs and the director of photography is Frederick Elmes, A.S.C. Executive producers are Stan Lee and Kevin Feige. The film is produced by Gale Anne Hurd, Avi Arad, James Schamus and Larry Franco. The story is by James Schamus, with screenplay by John Turman and Michael France and James Schamus. The Hulk is directed by Ang Lee. The film is distributed worldwide by Universal Pictures. ©2003 Universal Pictures. www.thehulk.com [More]
Starring: Eric Bana, Jennifer Connelly, Sam Elliott, Joshua Lucas
Starring: Eric Bana, Jennifer Connelly, Sam Elliott, Joshua Lucas, Nick Nolte
Director: Ang Lee
Director: Ang Lee
Screenwriter: Michael France, John Turman, James Schamus
Producer: Gale Anne Hurd, Avi Arad, Larry J. Franco, James Schamus
Composer: Danny Elfman
Studio: Universal Pictures
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Reviews for Hulk
The spectacular special effects and Lee’s use of split screens provide some relief in a nonetheless tedious tale in which Nick Nolte (looking much like his recent mug shot) provides several unintentional laughs as Banner’s father.
The film almost matches the inner conflict of its titular character, intermittently bogged down even as it soars to occasionally transcendent heights.
Lee and Schamus try on film genres like The Silence of the Lambs' Buffalo Bill tries on human skin.
The only Ang Lee film where he shows even a modicum of originality in his direction or any real personality or interesting visual flair.
The way Lee orchestrates the film is closer to painting than directing. At times, it feels as though a graphic novel is being laid out on screen.
A talented director wasted on a poorly plotted and weakly acted film. Not even the visual effects are salvagable
Nice as it would be to report that Ang and his co-writer/producer James Schamus had regenerated the summer blockbuster, we gotta poop the party.
Audiences expecting to turn off their brains and sit back for another blast of mere eye candy may stagger out of this 138-minute epic wondering what hit them.
I cannot recall seeing a tank being lobbed at a copter with such finesse.
Hulk se distingue de la masse par son caractère humain et par les thèmes qu’il aborde.
Rent it, fast forward through the first forty minutes, and enjoy the rest. Well, except the last ten minutes... okay, maybe give it a miss.
Wastes time and squanders audience sympathy with too much humorless exposition.
[Lee] adapt[s] the visual language of comic books to the screen in a way that seems quite fresh... while focusing on a story of abuse, death, and emotional trauma.
... a 138-minute hulking monster of a box office smash hit about, er, a hulking monster who likes to smash and hit.
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March 17, 2008:
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January 24, 2008:
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