While the film never quite reaches an Alan Moore-level deconstruction of the superhero mythos, it has a fun time offering up all the joy of a big-budget action movie without taking things too seriously.
Hancock (2008)
Rated: PG-13 [See Full Rating] for some intense sequences of sci-fi action and violence, and language.
Theatrical Release: Jul 2, 2008 Wide
Box Office: $226,357,065
Synopsis: There are heroes… there are superheroes… and then there’s Hancock (Will Smith). With great power comes great responsibility – everyone knows that – everyone, that is, but Hancock. Edgy, conflicted, sarcastic, and misunderstood, Hancock’s well-intentioned heroics might get the job done... There are heroes… there are superheroes… and then there’s Hancock (Will Smith). With great power comes great responsibility – everyone knows that – everyone, that is, but Hancock. Edgy, conflicted, sarcastic, and misunderstood, Hancock’s well-intentioned heroics might get the job done and save countless lives, but always seem to leave jaw-dropping damage in their wake. The public has finally had enough – as grateful as they are to have their local hero, the good citizens of Los Angeles are wondering what they ever did to deserve this guy. Hancock isn’t the kind of man who cares what other people think – until the day that he saves the life of PR executive Ray Embrey (Jason Bateman), and the sardonic superhero begins to realize that he may have a vulnerable side after all. Facing that will be Hancock’s greatest challenge yet – and a task that may prove impossible as Ray’s wife, Mary (Charlize Theron), insists that he’s a lost cause. --© Sony Pictures [More]
Genre: Action/Adventure
Starring: Will Smith, Jason Bateman, Charlize Theron, Eddie Marsan
Screenwriter: Vy Vincent Ngo, Vince Gilligan
Producer: Akiva Goldsman, Michael Mann, Will Smith, James Lassiter
Reviews
Has plenty of funny, even tender moments until it veers in a different, messy direction an hour in.
Smart enough to use the CGI madness in service to the story, rather than just ending and scene or conflict with a big effecty showdown. (I'm looking at you, Transformers!)
Squeezing every bit of originality out of its concept, Hancock fails on so many levels that it's surprising the film isn't a bigger success with audiences.
Less like a complete movie, Hancock plays out more like the first two episodes of a television series shown back to back.
(...) Una buena idea no hace necesariamente una gran película, y Hancock está lejos de ser perfecta. Aún así vale la pena y Will Smith está perfecto en su rol titular.
Most of Hancock's faults can be forgiven because Will Smith creates a quintessentially American hero: flawed, frayed, but always sacrificing for the sake of others.
"Hancock" is two films jammed together. The first part, deserves an "A" (Kudos to Jason Bateman), but the second part is clearly a B movie. I'll average only to a B .
Hancock suggests the Colin Powell 'Pottery Barn' argument, but before it gets really interesting, veers wildly off course.
Hancock is a movie that tosses the genre cookie cutter under the bus.
Hancock isn't by any means a dead loss, but it could have been a lot better.
It's a pointless, plodding and just plain ugly effort which fails on just about every level.
The phony mythos turns into equally spurious pathos that plays like bathos because not one iota of the sentiment or sympathy has been earned.
Hancock endures by finding the right rhythm to match its star, and by lashing enough amusing moments together to provide a trim 92 minutes of entertainment.
'What are those jammin' sounds? Is it a musical jetstream of crunk?''No, it's Hancock on approach! Use runway Six Left, Hancock! All jiggy for landing!'
Smith's invincibilty at the box office may come down, for this film is a mess. Not even his charm and personality can save this train wreck.
There are more problems afoot than just its misleading rating, beginning with the story itself.
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