Capturing grungy Queens blocks on the cusp of change as if it's the Third World, where entrepreneurial boys aggressively, and heartbreakingly, take on adult responsibilities.
Chop Shop (2007)
Tomatometer
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Reviews Counted:47
Fresh:45
Rotten:2
Average Rating:7.8/10
Consensus: Filled with excellent performances, Ramin Bahrani's deft sophomore effort is a heartfelt, hopeful neorealist look at the people who live in the gritty underbelly of New York City.
Theatrical Release:Feb 27, 2008 Limited
Synopsis: Set in Willet's Point, an industrial sprawl of auto repair shops and junkyards in outer New York City, CHOP SHOP tells the story of 12-year-old Alejandro (Alejandro Polanco), an orphan living a... Set in Willet's Point, an industrial sprawl of auto repair shops and junkyards in outer New York City, CHOP SHOP tells the story of 12-year-old Alejandro (Alejandro Polanco), an orphan living a hardscrabble existence in the "Iron Triangle." The boy earns a meager living hustling customers into body shops, hawking candy on the subway, and helping to chop up the parts of stolen cars. But he dreams of a better life. When his older sister Isamar (Isamar Gonzales) comes to live with him, Alejandro devises a plan to escape their desperate situation: they'll buy a lunch truck that they can run together. Alejandro begins stashing money, and even indulges in criminal activity to achieve his goal. When he learns a devastating secret about his sister, it makes him more determined than ever to change things. But reality proves a difficult opponent in his struggle for the American dream. Full of naturalistic performances and exquisite handheld photography, CHOP SHOP shows a side of New York that is rarely seen in films about the Big Apple. Its characters, mostly immigrants, inhabit a landscape of rubbish-strewn alleys, deafening expressways, and rusted steel. Manhattan's skyscrapers and the stands of Shea Stadium loom forever on the horizon. Though some may find the film's unsparing depiction of poverty difficult to watch, the film is never hopeless, and the humanity of its characters always shines through. Altogether, it achieves an air of documentary-like authenticity that convinces the viewer that, long after the screen goes black, the lives of its characters will continue. [More]
Starring: Alejandro Polanco, Isamar Gonzales, Rob Sowulski, Carlos Zapata
Starring: Alejandro Polanco, Isamar Gonzales, Rob Sowulski, Carlos Zapata, Ahmad Razvi
Director: Ramin Bahrani
Director: Ramin Bahrani
Producer: Lisa Muskat, Marc Turtletaub, Jeb Brody
Studio: Koch Lorber Films
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Release:
Jul 8, 2008
Reviews for Chop Shop
All these low-level criminal enterprises and idle dreams aren't happening in Mexico City or Kandahar; they're just outside Queens.
What Chop Shop does well, is take us into America's hidden Third World for a bit of culture shock.
It's a near-masterwork of low-budget precision and improvisation, constructed and rehearsed over many months in collaboration with the actors and the entire Willets Point community.
In this clear-eyed, quietly absorbing film, director Ramin Bahrani opens up a wedge of Third World America that operates, all but invisibly, in plain sight.
Bahrani celebrates those who never give up, no matter how badly their dreams are shattered.
The raw power of this unassuming snapshot would make Vittorio De Sica proud.
It's exciting watching Bahrani explore the possibilities of neo-realism to dramatize penury and disenfranchisement among the service-class in this country.
Skillfully evading bleakness and sentimentality, Chop Shop is a terrifically assured piece of filmmaking.
Ramin Bahrani's patient, perfectly-scripted vérité drama doesn't have many plot points, but we're so absorbed in their world that each upset leaves us frustrated and furious.
Lean and gritty, the movie eschews false sentiment, but in Alejandro (Alejandro Polanco), a tough, resourceful 12-year-old who stares down reality and bounces back from his own miscalculations, the movie boasts an anti-hero who inspires hopes.
Chop Shop has the feel of a foreign film, but what is most likely to horrify audiences is that it's set in America.
Bahrani blurs the line between New York reality and fiction so effectively that his scripted films feel vibrantly authentic, as if Bahrani had simply discovered his characters and allowed their lives to proceed with a minimum of directorial intrusion.
The ambiguous fates awaiting Alejandro and Isamar are resonant and unforgettable.
Beautifully observed, and beautifully acted by the novice thespian Polanco (culled from a New York City public school), Chop Shop is at once a heartbreaker and a story of hope and the American Dream.
The director has created a not-to-miss gem for the discriminating viewer.
Bahrani deftly walks a tightrope toward insight, never falling into safety nets of judgment or unearned sentiment.
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| Tomatometer Percentage | Movie |
|---|---|
| 45% 45% | Ice Age: Dawn of the D… |
| 19% 19% | Transformers: Revenge … |
| 55% 55% | Orphan |
| 43% 43% | The Proposal |
| 26% 26% | Land of the Lost |
| Tomatometer Percentage | Movie |
|---|---|
| 98% 98% | Up |
| 88% 88% | Ballast |
| 67% 67% | The Merry Gentleman |
| 56% 56% | Enlighten Up! |
| 13% 13% | Spread |
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