Feels more like an exploitation B movie for those who get off on rough prison wardens and mistreated, hapless victims.
Chronicle of an Escape (2007)
Tomatometer
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Reviews Counted: 15
Fresh: 9
Rotten:6
Average Rating: 5.8/10
Rated: R [See Full Rating] for brutality and torture, nudity and language.
Runtime: 1 hr 44 mins
Genre: Dramas
Theatrical Release:Nov 28, 2007 Limited
Synopsis: Set during the late 1970s military coup in Argentina and based on a true story, Adrian Caetano's CHRONICLE OF AN ESCAPE is a disquieting portrait of a young man who is wrongly suspected of being a... Set during the late 1970s military coup in Argentina and based on a true story, Adrian Caetano's CHRONICLE OF AN ESCAPE is a disquieting portrait of a young man who is wrongly suspected of being a member of a militant group. Claudio (Rodrigo de la Serna) returns from soccer practice and is arrested by some heavily mustachioed officials who blindfold him and take him to an abandoned house. There Claudio is tortured and endlessly questioned, along with other young men who are also being held. Caetano piles on the agony as the brutal and dehumanizing treatment meted out by the guards descends into outright humiliation and agony for Claudio and the other prisoners. But as the title of the film suggests, the prisoners have an escape plan in mind, and the tension really escalates as they put the daring scheme into practice. Caetano perfectly captures the feeling of despair that Claudio and the other men must have felt. The director often shoots his principal actors in tight close-up shots, giving a feeling of nauseating claustrophobia and intense helplessness. The finest piece of casting may be in the house itself, which appears to have endless labyrinthine corridors and dank, musty rooms that all look like they've witnessed unthinkable acts of human degradation. CHRONICLE OF AN ESCAPE ends up falling somewhere in between the powerful dynamics of Fernando Meirelles's CITY OF GOD and the somber gloom of Krzysztof Kieslowski's A SHORT FILM ABOUT KILLING, giving it a broad appeal that should find favor with both the art house crowd and a more mainstream audience. [More]
Starring: Rodrigo de la Serna, Pablo Echarri, Lautaro Delgado, Nazareno Casero
Starring: Rodrigo de la Serna, Pablo Echarri, Lautaro Delgado, Nazareno Casero, Matias Marmorato
Director: Israel Adrian Caetano
Director: Israel Adrian Caetano
Screenwriter: Israel Adrian Caetano, Esteban Student, Julian Loyola
Producer: Oscar Kramer, Hugo Sigman
Composer: Ivan Wyzsogrod
Studio: IFC Films
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Release:
Aug 19, 2008
Reviews for Chronicle of an Escape
It is a small relief to discover that Chronicle of an Escape is relatively restrained in its depiction of torture. Despite its restraint, the movie is deeply unsettling.
This film is both a warning about abuse of government power and a reassurance that justice will sometimes triumph.
Chronicle of an Escape pretty much lives up to its title and little else.
The film is taut and ruthlessly constructed, with odd flashes of humor and a white-knuckle pace.
A tense and mammothly upsetting dramatization of Tamburrini's memoir; ... gets everything that can pound in your body pounding.
The repetitive scenes of abuse lose their power too soon, and even the climactic flight stalls in first gear before it’s barely begun.
Chronicle might be utterly uncompromising in its "you are there" visceral style—or just unresourceful. I tend toward the latter reading.
Blessed with great performances; director Israel Adrián Caetano lets events speak -- and plead and weep -- for themselves.
If you need to break out of captivity, clearly running naked is the way to go.
Plays like a feature-length version of the Beastie Boys' "Sabotage" video, except the film's zealous foregrounding of polyester, facial hair, and wallpaper is not meant to be funny.
If American moviegoers have plenty of reasons to feel icky about government-sponsored kidnappings and hidden prisons, Chronicle of an Escape gives them another good one.
It’s a sobering act of remembrance, a warning against future abuses of power, and a stomach-knotting thriller.
Caetano ha hecho un film de suspenso, no una denuncia política, que funciona muy bien sobre todo en sus minutos finales.
Though functional on its own terms, this fourth feature by Israel Adrian Caetano feels hollow at the core, leaving a feeling of lingering disappointment over a missed opportunity to probe recent history.
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