Built upon a powerful but gimmicky end, The Boy in the Striped Pajamas would make a fine short. As a full-length feature, though, the pajamas wear thin quickly.
The Boy in the Striped Pajamas (2008)
Tomatometer
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Reviews Counted:124
Fresh:80
Rotten:44
Average Rating:6.2/10
Consensus: A touching and haunting family film that deals with the Holocaust in an arresting and unusual manner, and packs a brutal final punch of a twist.
Theatrical Release:Nov 7, 2008 Limited
Box Office: $9,030,581
Synopsis: Based on the novel by John Boyne, THE BOY IN THE STRIPED PAJAMAS is a wrenching Holocaust story about a young German boy and his forbidden friendship with a Jewish child. Bruno (Asa Butterfield) is... Based on the novel by John Boyne, THE BOY IN THE STRIPED PAJAMAS is a wrenching Holocaust story about a young German boy and his forbidden friendship with a Jewish child. Bruno (Asa Butterfield) is living a charmed life in Berlin as the son of a high-ranking Nazi soldier, when his father (David Thewlis) is suddenly transferred to a job out in the country. Bruno, as well as his sister Gretel (Amber Beattie) and mother (Vera Farmiga) must all join him at his new post. Bruno is lonely and confused by his new surroundings, and he doesn't understand why he can't wander the grounds or play at a nearby farm. The "farm," of course, is a concentration camp, though Bruno doesn't know this. He soon sneaks away to explore, and meets Shmuel (Jack Scanlon) a prisoner of the camp. Shmuel is eight, the same age as Bruno, and the two form a timid, careful friendship, playing checkers and catch through the barbed wire fence. Bruno knows that his friendship with Shmuel is dangerous, but after witnessing brutal violence perpetrated against some very kind people, he has begun to question the Nazi doctrine of hate. He is no longer sure what to make of his soldier father, whom he once believed to be a hero. When he learns that Shmuel is in trouble, he vows to help him, and together the boys form an outrageous plan that culminates in the film's devastating climax. Farmiga and Thewlis put in excellent performances, while Scanlon and Butterfield, are equally impressive, doing a fine job of carrying the weight of such a heavy film. The BOY IN THE STRIPED PAJAMAS is a deeply moving and--it must be said--disturbing movie. But it is a remarkable story, told with masterly intelligence and grace. [More]
Starring: Vera Farmiga, David Thewlis, Rupert Friend, David Hayman
Starring: Vera Farmiga, David Thewlis, Rupert Friend, David Hayman, Asa Butterfield, Jack Scanlon, Amber Beattie, Attila Egyed, Béla Fesztbaum, Sheila Hancock, Jim Norton
Director: Mark Herman
Director: Mark Herman
Screenwriter: Mark Herman
Producer: David Heyman
Composer: James Horner
Studio: Miramax Films
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Release:
Mar 10, 2009
Reviews for The Boy in the Striped Pajamas
We are left in no doubt about the brutality of what's going on there but it's almost entirely off-screen. Still, the film is terribly confronting.
This writer can't remember witnessing a harder-hitting kids' movie denouement than the one that closes this microcosm of middle-class German family life in WWII.
Much of the film depends on our ability to suspend disbelief and see the world as Bruno sees it. It has a finale designed to shock.
You may get halfway through and wonder why it's getting so heavily recommended here. Once you've experienced it in its entirety, you'll know why.
For me, the pluses far outweighed any misgivings I had with this ultimately very moving film.
The story is passable, albeit a little too manufactured for my taste in terms of its moral lessons, but the execution is so stilted and unconvincing that the experience is uncomfortable
The power of this story and the way director Mark Herman tells it through the innocent eyes of an eight year old boy overcome all the hurdles with its child-like simplicity that clutches our hearts
The novel was written for young adults and the film feels like it pulls its punches. The final horrifying revelation is still a long way from the painful realities of those days.
When the time comes for resolution, writer/ director Mark Herman suddenly delivers the unexpected; he does not sell out.
Why do the all the Nazis here have British accents? How confusing is that? An unintentionally-comical cross of Hogan's Heroes and Springtime for Hitler!
The picture is blatantly obvious, pandering, and rather insulting.
The inevitability of the loss of innocence and tragedy is a heavy burden for the audience to bear.
While effective in spots, the abrupt, powerful ending would have worked better as a short story.
Constrói um desfecho mergulhado em dor e terror, lembrando-nos de que, no final das contas, são nossos filhos quem pagam - e caro %u2013 pelos erros de julgamento que cometemos.
Herman has the unenviable task of presenting a challenging and delicate topic like the Holocaust honestly, while at the same time delivering his tale in a kid-friendly way.
A movie so horrific it haunts your dreams but so fascinating you can't turn your eyes away from it.
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