Fellini is so bountiful with incident and observation that he makes most other film makers seem stingy.
Amarcord (1974)
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Reviews Counted:36
Fresh:35
Rotten:1
Average Rating:8.5/10
Runtime: 2 hrs 7 mins
Genre: Foreign Films
Synopsis: Federico Fellini's AMARCORD, an acclaimed semiautobiographical episodic drama, examines life in a small Adriatic village just before Mussolini's reign in the 1930s. As the weather changes and... Federico Fellini's AMARCORD, an acclaimed semiautobiographical episodic drama, examines life in a small Adriatic village just before Mussolini's reign in the 1930s. As the weather changes and spring arrives, the village holds a festival in which it burns a symbolic bonfire and celebrates new life. This gathering in the central square is the first of many others throughout the film. Each time the community assembles, its colorful members show themselves in full force, boasting their bizarre, disjointed personalities--and pure mischief is the result. Several of the village ladies wear their eyebrows penciled on in high, provocative arches, a style that seethes sex and drama, coaxing the camera to follow them. The film takes on a circusy, chaotic tone, making it difficult to see a clear plot structure; AMARCORD instead breaks up into several memorably surreal sequences, a few of which follow a young man named Titta (Bruno Zanin) who wanders in and out of the animated provincial landscape, meeting assorted crazy characters and obsessing over sex. The beautiful clashes with the grotesque and politics and family matters blend together while sex is offset by violence in the inimitable style of Italy's late master of cinema, whose tour de force won an Oscar for Best Foreign Language Film. [More]
Starring: Pupella Maggio, Magali Noel, Bruno Zanin, Josianne Tanzilli
Starring: Pupella Maggio, Magali Noel, Bruno Zanin, Josianne Tanzilli
Director: Federico Fellini
Director: Federico Fellini
Screenwriter: Federico Fellini, Tonino Guerra
Composer: Nino Rota
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Reviews for Amarcord
Bloated, overblown and essentially empty, Fellini's last hit movie skims over the surface of the lives it depicts, substituting manufactured sentiment for genuine feeling or understanding.
Amarcord will make you howl with laughter and then choke back a tear. And all the while you’ll be building your own memories of this landmark movie.
Watching the movie feels like flipping through a cartoon sketchbook of Fellini's vivid remembrances and formative experiences.
I'm not sure how Amarcord played in the '70s, but now it feels like an affectionate parody of Italian movie conventions.
Federico Fellini's films beg to be seen on a movie screen. Their panoramic, overstuffed frames and larger-than-life characters overflow the boundaries of home theater; their exuberant, generous humor is best enjoyed in a packed auditorium.
Amarcord is Fellini's scrapbook of memories culled from his own life and it is completely engaging and delightful.
Orthodox Fellini lovers will give primacy to La Strada or La Dolce Vita, but Amarcord has its fans, and it's easy to see why.
It's one of the noted Italian directors more vibrant films that captures him at his most playful and incisive.
He [Director Fellini] leaves us with the hope that the human comedy just may be able to survive everything.
What's so surprising about this film is just how loose and effortlessly enjoyable it is, despite all its ideas and images. It's one of the director's very best.
This Fellini opus is his most accessible to mass audiences since La Dolce Vita.
Uneven, loosely structured, and at times pretty vulgar as well as sentimental, but with some touching and lovely episodes.
This collection of vignettes loosely based on the director’s adolescence in Rimini feels as if its creator is vividly recalling every fleeting sensation of his early life.
What positions the film among Fellini's greatest are its punctuation points of mysterious beauty.
A memorable last chapter to Fellini's nostalgic screen reminiscences that began in 1953 with I Vitelloni.
Amarcord, easily one of Fellini's masterpieces, is at once a personal memory film and a more detached social scrutinization of Italian society, specifically the political isolation and cultural provincialism that helped Fascism rise to power.
A vulgar, crassly funny, tender, always affectionate nostalgia trip, Fellini style.
Fellini at his ripest and loudest recreates a fantasy-vision of his home town during the fascist period.
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