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Ali Zaoua (2000)
Tomatometer
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Reviews Counted:11
Fresh:8
Rotten:3
Average Rating:6.3/10
Synopsis: Abandoned by their parents, street kids Ali, Kwita, and Boukber become each other's surrogate family while roaming the streets of Casablanca begging for money. When Ali is ruthlessly murdered by a... Abandoned by their parents, street kids Ali, Kwita, and Boukber become each other's surrogate family while roaming the streets of Casablanca begging for money. When Ali is ruthlessly murdered by a local gang, his friends are determined to give him a farewell suitable for royalty, and come together to plan his extravagant funeral. Director Nabil Ayouch brings this heart-wrenching battle between youthful innocence and harrowing experience to life with a spectacular, yet untrained cast of children. ALI ZAOUA depicts its subjects as children--who despite having been forced to grow up too soon--manage to retain their youthful imaginations. This creativity and naïve hopefulness is seen most clearly through several (animated) hallucination sequences. These sequences are in themselves paradoxical, as they are evidence of the children's spoiling (they are produced as the results of sniff glue), and their still-untarnished imaginations. [More]
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Reviews for Ali Zaoua
Ayouch takes a subject that could be thoroughly depressing ... and -- through a simple story line, dramatic acting and National Geographic-like shots of the city's rough and pristine edges -- creates cinematic magic.
Ayouch has crafted a powerful reminder of how kids can adapt to even the worst of circumstances.
In its own, low-key way, Ali Zaoua is just as stirring [as City of God].
Less interested in moving a viewer to anger and action than in eliciting a few tears of pity and granting us a warm glow of self-congratulation for having shared for a moment in the anguish of underprivileged others.
Like a treadmill, Ali Zaoua plays out like a film exercise that goes nowhere
It's the eyes of the children ... that stay with you after Ali Zaoua is over -- as well as the compassion that's evident in every frame.
Director Nabil Ayouch balances the pessimism with gorgeous wide-screen photography, a wistfully hopeful conclusion and a succession of gracefully animated sequences designed to show his characters' more gentle inner worlds.
It's the beguiling performances from the three young children that are really captivating, and it's their sense of the comic and the tragic elements of their predicament that gives the film its enjoyable energy.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| 19% 19% | Transformers: Revenge … |
| 55% 55% | Orphan |
| Tomatometer Percentage | Movie |
|---|---|
| 98% 98% | Up |
| 88% 88% | Ballast |
| 66% 66% | The Merry Gentleman |
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