It's the two boys, young George Mackay and younger Nicholas McAnulty who walk away with the acting honours in astonishingly mature and controlled performances
The Boys Are Back (2009)
Tomatometer
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Reviews Counted:73
Fresh:52
Rotten:21
Average Rating:6.3/10
Consensus: Great performances by Clive Owen and The Boys save this melodrama from entering into the sappy territory it might have in less competent hands.
Rated: PG-13 [See Full Rating] for some sexual language and thematic elements
Genre: Comedies
Theatrical Release:Sep 25, 2009 Limited
Box Office: $783,013
Synopsis:
Inspired by a true story, THE BOYS ARE BACK is a deeply moving, wryly confessional tale of fatherhood, that
intimately evokes both the fragility and wonders of family life. It follows a witty,...
Inspired by a true story, THE BOYS ARE BACK is a deeply moving, wryly confessional tale of fatherhood, that
intimately evokes both the fragility and wonders of family life. It follows a witty, wisecracking, action-oriented
sportswriter (Academy Award® nominee and Golden Globe® winner CLIVE OWEN) who, in the wake of his wife’s
tragic death, finds himself in a sudden, stultifying state of single parenthood. With turbulent emotions swirling just
below the surface, Joe Warr throws himself into the only child-rearing philosophy he thinks has a shot at bringing joy
back into their lives: “just say yes.” Raising two boys – a curious six year-old (NICHOLAS MCANULTY) and a rebel
teen (GEORGE MACKAY) from a previous marriage -- in a household devoid of feminine influence, and with an
unabashed lack of rules, life becomes exuberant, instinctual, reckless . . . and on the constant verge of disaster.
United by unspoken love, conflicted by fierce feelings and in search of a road forward, the three multi-generational
boys of the Warr household, father and sons alike, must each find their own way, however tenuous, to grow up.
Their story is not just about the transforming power of a family crisis -- but the unavoidable grace of everyday life
and love that gets them through.
Academy Award® nominee Scott Hicks (“Shine”) directs from a screenplay by Allan Cubitt based on the acclaimed
2001 memoir by Simon Carr, The Boys Are Back, an unflinchingly funny and honest recounting of his journey from
grieving husband to full-contact fatherhood in the aftermath of profound loss. Shot on location in the stunning
countryside of South Australia, the film is produced by Greg Brenman (“Billy Elliot”) and Tim White (“Ned Kelly”).
The executive producers are Peter Bennett-Jones and Clive Owen. --© Miramax
Starring: Clive Owen, Laura Fraser, Nicholas Macanulty, Julia Blake
Starring: Clive Owen, Laura Fraser, Nicholas Macanulty, Julia Blake, George MacKay, Emma Booth
Director: Scott Hicks
Director: Scott Hicks
Screenwriter: Allan Cubitt
Producer: Greg Brenman, Tim White, Bella Wright
Composer: Hal Lindes
Studio: Miramax Films
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Reviews for The Boys Are Back
It's about emotional chaos and who better to embody it than Clive Owen as the soulful widower trying to master being an everyday father. It feels like a work of love for Hicks, who injects serenity within the chaos as he conducts a mantle of melancholy
Joe says in a voice-over that "life is a journey to be traveled no matter how bad the road." And The Boys Are Back is a highly satisfying ride.
An affecting blend of warm comedy and high pathos, The Boys Are Back brings an unusual all-male perspective to its otherwise familiar themes of domesticity, death and dysfunction.
Even a corrosive influence like yours truly finds something a bit hinky about the motto 'Just Say Yes.' At least when applied to raising children.
The Boys are bound to seem a rather boring bunch, which makes it hard for Scott Hicks' downbeat heart-tugger to resonate in any meaningful way.
. . . presents some inevitable clichés from the grief-dealing playbook, but also tosses in the occasional change of pace zinger to keep the film from drowning in sorrow.
When the film works, it works really well. It certainly doesn't hurt that it features Owen, an actor who's capable of making almost anything watchable.
It has the same understanding of male emotions as a Nick Hornby bestseller and could be that rare warmhearted weepie with an appeal that spans the genders and generations.
If The Boys Are Back takes some emotional shortcuts, it still manages to convey some of the more mystifying aspects of parenthood.
Owen, not chasing Julia Roberts or anyone else for a change, is pleasant enough making this 100-minute argument for unconventional parenting.
This indie gem marks the arrival of Oscar season. McAnulty and Mackay give very natural performances that are real and genuine.
Much like its lead character, the film lacks the discipline to always do what's best.
Hicks' rambling pacing and Cubitt's routine approach to the story prevent 'The Boys Are Back' from reaching its potential.
A classy, intelligent, low-key affair and a fine reminder of what's really essential to most lives: family.
The Boys Are Back is a poignant and rowdy celebration of a broken family dealing with grief and drastic change. It has a lame title and a rambling story, but it also has an outstanding performance by Clive Owen and beautiful Australian scenery.
It manages to veer from touching to humorous (Warr has some rather unconventional parenting techniques) without being overly mawkish, and the sumptuous cinematography by Greig Fraser is perhaps the best commercial ever for South Australia.
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