This new version adds nothing novel, but it lacks none of the original's bite.
Funny Games (2008)
Tomatometer
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Reviews Counted: 139
Fresh: 71
Rotten:68
Average Rating: 5.6/10
Consensus: Though made with great skill, Funny Games is nevertheless a sadistic exercise in chastising the audience.
Rated: R [See Full Rating] for terror, violence and some language.
Runtime: 1 hr 52 mins
Genre: Horror/Suspense
Theatrical Release:Mar 14, 2008 Limited
Box Office: $1,045,279
Synopsis: In 1997, writer-director Michael Haneke (CACHE) made the controversial Austrian thriller, FUNNY GAMES, about two young men who terrorize a family on vacation. A decade later, Haneke was convinced... In 1997, writer-director Michael Haneke (CACHE) made the controversial Austrian thriller, FUNNY GAMES, about two young men who terrorize a family on vacation. A decade later, Haneke was convinced by producer Chris Coen to bring the story to America, filming a nearly word-for-word, shot-for-shot English-language version, even re-creating the locations and sets as obsessively as possible. Shortly after Ann (Naomi Watts), George (Tim Roth), and Georgie (Devon Gearhart) arrive in their country home, Peter (Brady Corbet), an eerily polite young man dressed all in white, including odd white gloves, appears on the doorstep, asking Ann if he can borrow some eggs for their neighbor. Peter is joined by Paul (Michael Pitt), and the Leopold-and-Loeb-like duo are soon doing horrible things to Ann, George, and Georgie, torturing them both physically and psychologically (nearly all the violence occurs off-screen), for no apparent reason other than they can, referring to the whole thing as a game. And the biggest game of all is whether the family will be alive at the end. FUNNY GAMES is an intense experience, driven by Haneke's careful manipulation of both the film itself and the audience. He's trying to shake up the viewer, even having Paul address the audience directly several times, with Paul fully aware of what he is doing and how the audience is most likely responding. And in one unforgettable scene, Haneke pulls the cathartic rug right out from under the viewer, playing with the actual medium of cinema in an infuriating and ingenious way. Roth and Watts give outstanding performances as the victims, matched by Pitt and Corbet's deeply unsettling creepiness. Just as Peter and Paul (who also call themselves Tom and Jerry and Beavis and Butt-Head) alternate between calm and violent, the soundtrack alternates between classical music by Handel, Mozart, and others and hardcore punk from John Zorn and Naked City. Though difficult to watch, FUNNY GAMES is ultimately a rewarding and illuminating film, though not for the squeamish. [More]
Starring: Naomi Watts, Michael Pitt, Tim Roth, Brady Corbet
Starring: Naomi Watts, Michael Pitt, Tim Roth, Brady Corbet, Devon Gearhart
Director: Michael Haneke
Director: Michael Haneke
Screenwriter: Michael Haneke
Producer: Hengameh Panahi, Christian Baute, Andro Steinborn, Chris Coen, Hamish McAlpine
Studio: Warner Independent
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Reviews for Funny Games
If you saw the original, the elements of suprise may be missing, but dread and suspense and nastiness are translated perfectly.
As an experiment in film form, Funny Games is intriguing, but the self-congratulation and post-modern trickery are at once irksome and intellectually and artistically dishonest.
We're left with the nasty taste of our own bloodlust long after the credits have rolled.
Registers more strongly than the original as a film about privileged white people...
An actors' showcase and a hefty serving of director Michael Haneke's self indulgence
There is something far uglier and dirtier below the surface: voyeuristic sadism in which Haneke implicitly involves his audience
It's a tawdry kind of horror movie plot, given new meaning by Haneke's considerable intellect.
I'm not at all sure that, in manipulating the audience to make his points, Haneke isn't as guilty of exploitation as the filmmakers and the films he's attacking here.
The movie is unforgettable and will cause a reaction from you, whether you like it or not. Me? I liked it's sick, twisted sense of manipulating the audience
Flogging the audience is one thing, but to deny them free will in their role - thus responsibility - is something else.
After several years of "torture porn" horror flicks, Funny Games sets the counter back to zero, reminding us that torture isn't fun, isn't stimulating, and isn't something we should be getting off on.
In Funny Games, Haneke seems content to ram his thumbs into our eyes and then ask us why we were foolish enough to get within arm's length of his gray, grizzled visage.
...a lurid piece of business, made all the more offensive for its apparent higher aspirations.
toso idio me to prototypo, poy aksizei na to deis mono an den to%u0384hes dei, i an theleis na to ksanadeis
What's terrible and irritating about the film is that Haneke isn't doing it to tell a story. He just wants to punish us for wanting to see this movie in the first place.
This is a piece of art. The direction is amazing, the performances are top-notch, and the pot-boiling pace is pitch-perfect.
We want retribution, we want reparations, we want revenge, but Haneke refuses to submit to our pleas, because he's the storyteller, and he's the one playing the games. Magnefique...
It's hard to imagine why anyone would want to subject themselves to the harrowing brutality of 'Funny Games,' but give German-born filmmaker Michael Haneke his due - his movie is shockingly effective.
It’s not a reassuring vision but that’s not the name of Haneke’s particular game.
Latest News for Funny Games
June 09, 2008:
RT on DVD: Bosomy Boleyn Girls, Jumper, John Adams
As the latest wave of Obamamania sweeps the country, look forward to HBO's Recount...or peek into the past with HBO's John Adams. Also clear your calendar for high-def Top... More...
May 06, 2008:
Funny Games (2008): Guide to Home Invasion ![]()
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March 28, 2008:
Naomi Watts wasted in English language remake of German snuff flick. ![]()
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March 16, 2008:
With the cult of cruelty wallpapering the media more than ever, and murders, wars and celebrity breakdowns as spectator sport, it was inevitable that the cinema of sadism would grab the untapped egghead arthouse crowd market. And the stampede is on. ![]()
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