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Pinocchio (2002)
Tomatometer
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Reviews Counted:53
Fresh:0
Rotten:53
Average Rating:2.4/10
Consensus: Roberto Benigni misfires wildly with this adaptation of Pinocchio, and the result is an unfunny, poorly-made, creepy vanity project.
Theatrical Release:Dec 25, 2002 Wide
Box Office: $3,627,416
Synopsis: Roberto Benigni (LIFE IS BEAUTIFUL) brings Carlo Collodi's classic children's story to life in this big budget live-action adaptation. Gepetto (Carlo Guiffre), a humble toy maker, fashions a... Roberto Benigni (LIFE IS BEAUTIFUL) brings Carlo Collodi's classic children's story to life in this big budget live-action adaptation. Gepetto (Carlo Guiffre), a humble toy maker, fashions a marionette out of a log that has miraculously appeared on his doorstep. After wishing upon a star that his creation, Pinocchio (Benigni), would come to life, Gepetto's wish is granted by the beautiful Blue Fairy (Nicoletta Braschi). The only condition is that Pinocchio must prove his valor, and be completely honest at all times, in order to become a real boy. Unfortunately, this isn't easy for the enthusiastic puppet, who seems to find trouble everywhere he turns. After a long, tumultuous journey, in which Pinocchio is accosted by two corrupt thieves, turned into a donkey, and swallowed by a shark, Pinocchio is reunited with his father, setting up a final challenge that will prove once and for all if Pinocchio has the heart to become a real boy. Benigni's follow-up to the Oscar-winning LIFE IS BEAUTIFUL is a crowd-pleasing fantasy film, featuring beautiful cinematography from Dante Spinotti (HEAT, L.A. CONFIDENTIAL). The American release boasts the voices of actors Breckin Meyer, Glenn Close, and John Cleese. [More]
Starring: Roberto Benigni, Carlo Guiffre, Nicoletta Braschi, Breckin Meyer
Starring: Roberto Benigni, Carlo Guiffre, Nicoletta Braschi, Breckin Meyer, Glenn Close
Director: Roberto Benigni
Director: Roberto Benigni
Screenwriter: Roberto Benigni
Producer: Vincenzo Cerami, Gianluigi Braschi, Roberto Benigni, Nicoletta Braschi, Elda Ferri
Composer: Nicola Piovani
Studio: Miramax Films
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Release:
Jul 15, 2003
Reviews for Pinocchio
The recut American version is truly awful, but a good 75 percent of the awfulness is attributable to Miramax, the film's distributor.
Like Robin Williams on speed, [Roberto Benigni] darts about the screen showing less restraint than a shark in blood-stained water.
Every good actor needs to do his or her own Hamlet. For Benigni it wasn't Shakespeare whom he wanted to define his career with but Pinocchio. It might as well have been Problem Child IV.
This is a monumental achievement in practically every facet of inept filmmaking: joyless, idiotic, annoying, heavy-handed, visually atrocious, and often downright creepy.
What's most incredible is not that Benigni thought that he could pull off a believable wooden puppet who wants to be a boy, nor thet he could turn such a charming story into such a horrifically scary tale, but that the people of Italy love this movie so m
This overproduced piece of dreck is shockingly bad and absolutely unnecessary. Hmmm…might I suggest that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener?
Benigni presents himself as the boy puppet Pinocchio, complete with receding hairline, weathered countenance and American Breckin Meyer's ridiculously inappropriate Valley Boy voice.
The dialogue is very choppy and monosyllabic despite the fact that it is being dubbed.
Adults will certainly want to spend their time in the theater thinking up grocery lists and ways to tell their kids how not to act like Pinocchio. As for children, they won't enjoy the movie at all.
It's a frightful vanity film that, no doubt, pays off what debt Miramax felt they owed to Benigni.
If you saw Benigni's Pinocchio at a public park, you'd grab your kids and run and then probably call the police.
What can one say about a balding 50-year-old actor playing an innocent boy carved from a log?
What remains is a variant of the nincompoop Benigni persona, here a more annoying, though less angry version of the irresponsible Sandlerian manchild, undercut by the voice of the star of Road Trip.
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