In fact, "Quid Pro Quo" is not at all funny, merely occasionally sarcastic, its plot a succession of half-baked pop-psych speculations and its dialogue a glib sampling of sub-Diablo Cody incredibility
Quid Pro Quo (2008)
Tomatometer
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Reviews Counted:33
Fresh:20
Rotten:13
Average Rating:5.9/10
Consensus: Despite a stunning performance by Vera Farmiga, Quid Pro Quo never develops its effective parts into a convincing whole.
Theatrical Release:Jun 13, 2008 Limited
Synopsis:
Quid Pro Quo is a dark, puzzling tale of strangers who crash into one another's lives and transform them forever. Isaac, a paraplegic, is a popular New York City public-radio reporter who is...
Quid Pro Quo is a dark, puzzling tale of strangers who crash into one another's lives and transform them forever. Isaac, a paraplegic, is a popular New York City public-radio reporter who is investigating a story from an anonymous source about a man who walked into a hospital demanding that his leg be amputated.
While pursuing the story to satisfy his own probing curiosity, Isaac meets the strikingly beautiful and mysterious Fiona, a restoration artist. Isaac's investigation not only initiates a relationship with Fiona but also leads him into the strange subculture of "wannabes," those longing for wholeness—or lack thereof—in rather peculiar ways. Will Fiona lead Isaac to answers about this underworld of seekers, or will their stormy association push him toward a more painful truth?
In his sleek directorial debut, Carlos Brooks confidently navigates the delicate line of the psychological thriller genre with the help of eerie and convincing performances from Vera Farmiga and Nick Stahl. Quid Pro Quo does not celebrate or sensationalize the subculture it portrays but instead explores the human psyche and allows the audience to ask questions. Brooks takes us on a journey to explore our desires, find order in disorder, and exhume the need to restore normalcy to a society we find ourselves ostracized from. --© Sundance Film Festival
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Starring: Nick Stahl, Vera Farmiga, Aimee Mullins, Leonardo Nam
Starring: Nick Stahl, Vera Farmiga, Aimee Mullins, Leonardo Nam, Jessica Hecht, Jacob Pitts, Pablo Schreiber, Phil LaMarr, Matthew Carey, Kate Burton
Director: Carlos Brooks
Director: Carlos Brooks
Screenwriter: Carlos Brooks
Producer: Sarah Pillsbury, Midge Sanford
Composer: Mark Mothersbaugh
Studio: Magnolia Pictures
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Reviews for Quid Pro Quo
Strikingly original and spectacularly twisted, Quid Pro Quo is a gem. Two outstanding performances from Nick Stahl and Vera Farmiga provide riveting viewing
Its biggest mystery is how it was financed (by Texas trillionaire and Dallas Maverick owner Mark Cuban, no less) and selected for distribution.
By far the movie's strong suit is Farmiga, who gives an astonishingly layered performance,
Very deftly made, with some lovely cinematography and two quirky, engaging lead performances, it's a satisfying debut.
An outsider adventure strictly for the very open-minded, presenting the numbness of paralysis, ironically, as a potential source of paroxysms of pleasure.
An obscure and terrifying mental disorder leads a reporter to the strangest and then the most terrifying story of his life. A neat film noir in a very modern setting amongst people who are not all there.
Quid Pro Quo hovers in a noir-shaded twilight zone where repressed memories and guilt merge in an obsession with physical and emotional paralysis.
This warped masochistic cousin to David Cronenberg's Crash - not to be confused with the Oscar winner of the same name -- is well worth seeing for Farmiga's stunning performance.
While a good director can spin a worthy movie from any subject, first-timer Carlos Brooks does surprisingly little with the jaw-dropper of a topic he chose.
This odd little fugue of a movie would be implausible, even laughable, if it weren't also marvelously played, visually composed and plotted with the utmost cunning.
If you were a fan of David Cronenberg's Crash, you might just be the target audience for Quid Pro Quo, a perverse psychological drama about able-bodied people who yearn to become disabled.
The film is lightest on its feet when it shakes off the Red Shoe Diaries foreboding for moments of sly irony
Brooks has no idea how to pace his irritatingly giddy script, and the film feels overlong at 82 minutes.
I wanted Quid Pro Quo to develop into something at every turn, but it just never gels. It's a great 20-page short story that can't sustain 82 minutes of life on the big screen.
Brooks tiptoes into territory Luis Bunuel would have frolicked in, but he does so without the master surrealist's desire to outrage and confound his viewers.
It frustratingly refuses to go bonkers, but the film is a compelling sit, brought to life by two very crafty, pointed performances.
[Director] Brooks plunges into the thick of a largely unfamiliar subculture in Quid Pro Quo, but the journey involves a series of well-telegraphed twists and turns.
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August 11, 2008:
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June 16, 2008:
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May 18, 2008:
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